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- Record type:
- document
- Document type:
- review
- Document author(s):
- Nora Sayre
- Publication date:
- 1983 May 31
- Document source:
- New York Times
- Document contains:
- bibliography, box info, and filmography
- Number of pages:
- 1
- Related films:
-
- Record type:
- document
- Document type:
- advertisement
- Publication date:
- 1936
- Document contains:
- bibliography and production co
- Number of pages:
- 1
- Related films:
-
- Record type:
- document
- Document type:
- program note
- Document author(s):
- Kent Jones
- Publication date:
- 1999
- Document source:
- Film Society of Lincoln Center
- Number of pages:
- 7
- Related films:
-
- Die lachende erben (The happy heirs) — Ophüls, Max — Germany — 1931
- Die verliebte firma (The company's in love) — Ophüls, Max — Germany — 1931
- Die verkaufte braut (The bartered bride) — Ophüls, Max — Germany — 1932
- Liebelei (Flirtation) — Ophüls, Max — Germany — 1933
- La signora di tutti — Ophüls, Max — Italy — 1934
- Divine — Ophüls, Max — France — 1935
- La tendre ennemie (The tender enemy) — Ophüls, Max — France — 1936
- Komedie om geld (The trouble with money) — Ophüls, Max — Netherlands — 1936
- Yoshiwara — Ophüls, Max — France — 1937
- Werther — Ophüls, Max — France — 1938
- Sans lendemain — Ophüls, Max — France — 1939
- De Mayerling à Sarajevo — Ophüls, Max — France — 1940
- The exile — Ophüls, Max — United States — 1947
- Letter from an unknown woman — Ophüls, Max — United States — 1948
- The reckless moment — Ophüls, Max — United States — 1949
- Caught — Ophüls, Max — United States — 1949
- La ronde — Ophüls, Max — France — 1950
- Le plaisir — Ophüls, Max — France — 1951
- Madame de... (The earrings of Madame de...) — Ophüls, Max — France; Italy — 1953
- Lola Montès — Ophüls, Max — France; Germany — 1955
- Record type:
- document
- Document type:
- program
- Document author(s):
- Tom Luddy
- Publication date:
- 11/1/1972
- Document source:
- Berkeley Art Museum/Pacific Film Archive
- Document contains:
- production co
- Number of pages:
- 24
- Related films:
-
- Aelita — Protazanov, Iakov Aleksandrovich — Soviet Union — 1924
- Krylya kholopa (The wings of a serf) — Tarich, Yuri — Soviet Union — 1926
- Zvenigora — Dovzhenko, Alexander Petrovich — Soviet Union — 1927
- S.V.D. — Kozintsev, Grigorii Mikhailovich — Soviet Union — 1927
- The Wedding march — von Stroheim, Erich — No country known — 1928
- White shadows in the South Seas — Van Dyke, W. S.; Flaherty, Robert — United States — 1928
- Novyi Vavilon (The new Babylon) — Kozintsev, Grigorii Mikhailovich; Trauberg, Leonid Zakharevich — Soviet Union — 1929
- Hell's angels — Hughes, Howard — United States — 1930
- Tabu — Murnau, F. W. — United States — 1931
- Das Blaue licht (The blue light) — Riefenstahl, Leni — Germany — 1932
- Liebelei (Flirtation) — Ophüls, Max — Germany — 1933
- Tsuma yo bara no yo ni (Wife! Be like a rose!) — Naruse, Mikio — Japan — 1935
- Sciuscia (Shoeshine) — De Sica, Vittorio — Italy — 1946
- Record type:
- document
- Document type:
- press release
- Publication date:
- 1999 Aug 19
- Document source:
- San Francisco Film Society
- Number of pages:
- 1
- Related films:
-
- Record type:
- document
- Document type:
- still
- Publication date:
- 1933
- Document source:
- PFA Stills Collection
- Number of pages:
- 1
- Related films:
-
- Record type:
- document
- Document type:
- review
- Publication date:
- 1983 Jun 07
- Document source:
- Village Voice
- Number of pages:
- 1
- Related films:
-
- Record type:
- document
- Document type:
- book excerpt
- Number of pages:
- 1
- Related films:
-
- Record type:
- document
- Document type:
- book excerpt
- Number of pages:
- 1
- Related films:
-
- Record type:
- document
- Document type:
- book excerpt
- Document contains:
- production co
- Number of pages:
- 2
- Related films:
-