Circle of pain: the cinema of Nicholas Ray

Document source:

Sight and Sound

Publication date:

Autumn 1973

Document type:

article

Number of pages:

4

Source pagination:

218-219

Document name subject:

Nicholas Ray, Sterling Hayden, Jean Luc Godard, Humphrey Bogart, Richard Burton, and Jane Russell

Document contains:

production co

Related films:

• They live by night — Ray, Nicholas — United States — 1949
• Born to be bad — Ray, Nicholas — United States — 1950
• In a lonely place — Ray, Nicholas — United States — 1950
• Johnny Guitar — Ray, Nicholas — United States — 1954
• Rebel without a cause — Ray, Nicholas — United States — 1955
• Bigger than life — Ray, Nicholas — United States — 1956
• Hot blood — Ray, Nicholas — United States — 1956
• Bitter victory — Ray, Nicholas — France; United States — 1957
• Party girl — Ray, Nicholas — United States — 1958
• Wind across the Everglades — Ray, Nicholas — United States — 1958
• The savage innocents — Ray, Nicholas — France; Italy; Great Britain — 1960
• Weekend (Week-end) — Godard, Jean Luc — France; Italy — 1968
• Le gai savoir (The joy of learning) — Godard, Jean Luc — France; Germany — 1969
• Jesus christ superstar — Jewison, Norman — No country known — 1973
• We can't go home again — Ray, Nicholas — United States — 1973
• Thieves like us — Altman, Robert — United States — 1974
• Wet dreams — Ray, Nicholas; Thorsen, Jens Jørgen; Fischer, Max; Braun, Lasse; Kanters, Hans; Koolman, Geert; Makavejev, Dusan; Williams, Heathcote — Netherlands — 1974

Film country(ies):

France, Germany, Great Britain, Italy, Netherlands, and United States

Film language(s):

English and French

Film production company:

Anouchka Film, Appia Films, Cinecidi, Columbia Pictures, Comacico (Firm), Films Copernic, George Litto Pictures, Gray-Film, Jerry Bick, Les Films Corona, Lira Films, Magic Film, Metro-Goldwyn-Mayer, RKO Pictures, Republic Pictures Corporation, Santana Productions, Transcontinental Films, Twentieth Century-Fox Film Corporation, United Artists Corporation, and Warner Bros.

Film genre(s):

Adaptation, Anthology, Crime, Documentary, Drama, Experimental, Feature, Film noir, Gangster, Juvenile delinquency, Romance, War, and Western

Film subject(s):

• Adultery -- United States -- Drama
• Anderson, Edward, 1905-1969. Thieves like us -- Film and video adaptations
• Bank robberies -- Mississippi -- Drama
• Civil war -- France -- Drama
• Cultural conflict -- Drama
• Depressions -- 1929 -- Southern states -- Drama
• Drug abuse -- United States -- Drama
• Eskimos -- Social life and customs -- Drama
• Everglades (Fla.) -- History -- Drama
• Family life -- United States -- Drama
• Fathers and sons -- United States -- Drama
• Gangsters -- United States -- Illinois -- Chicago -- Drama
• Hollywood (Los Angeles, Calif.) -- Drama
• Insanity -- United States -- Drama
• Interpersonal conflict -- Drama
• Jealousy -- Drama
• Language & languages -- Philosophy -- Drama
• Love -- United States -- Drama
• Man-woman relationships -- France -- Drama
• Man-woman relationships -- Mississippi -- Drama
• Man-woman relationships -- United States -- Drama
• Megalomania -- Drama
• Middle class -- France -- Paris -- Drama
• Middle class -- United States -- Drama
• Motion picture industry -- California -- Hollywood -- Drama
• Murder -- France -- Drama
• Murder -- Investigation -- California -- Drama
• Poachers -- Florida -- Drama
• Popular culture -- Drama
• Screenwriters -- California -- Hollywood -- Drama
• Soldiers -- Drama
• Students -- United States -- Drama
• Teacher-student relationships -- Drama
• Teachers -- United States -- Drama
• Teenagers -- United States -- Drama
• Terrorism -- France -- Drama
• Traffic accidents -- France -- Drama
• Travel -- France -- Drama
• United States -- Social conditions -- 1918-1945 -- Drama
• War -- Psychological aspects -- Drama
• West (U.S.) -- Drama
• Women -- Social and moral questions -- Drama
• Women -- West (U.S.) -- Drama
• World War, 1939-1945 -- Africa, North -- Drama
• World War, 1939-1945 -- Commando operations -- Africa, North -- Drama
• World War, 1939-1945 -- Moral and ethical aspects -- Drama
• Youth movement -- United States -- Drama

Images:

PDFs:

view full size in new window