Invested in expression or in its destruction? the politics of space and representation in Chantal Akerman's cinema
- Document source:
- Senses of cinema
- Publication date:
- September 2012
- Document language:
- English
- Document type:
- article
- Number of pages:
- 6
- Document name subject:
- Chantal Akerman and Michelangelo Antonioni
- Document contains:
- production co
- Related films:
-
- L'eclisse (The eclipse) — Antonioni, Michelangelo — France; Italy — 1962
- Je tu il elle (I you he she) — Akerman, Chantal — Belgium — 1974
- Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles — Akerman, Chantal — Belgium — 1975
- Nuit et jour (Night and day) — Akerman, Chantal — France; Belgium; Switzerland — 1991
- Demain on déménage (Tomorrow we move) — Akerman, Chantal — France; Belgium — 2004
- Film country(ies):
- Belgium, France, Italy, and Switzerland
- Film language(s):
- French and Italian
- Film production company:
- Arte France cinéma (Firm), Canal Plus, Centre National de la Cinématographie, Cineriz, Ciné Cinémas, Gémini Films, Interopa Film, Paradise Films, Paris Film Productions, and Radio Télévision Belge Francofone
- Film genre(s):
- Comedy, Drama, Experimental, Family, Feature, Feminist, and Romance
- Film subject(s):
-
- Housekeeping -- Drama
- Lesbians -- Sexual behavior -- Drama
- Love -- Psychological aspects -- Drama
- Man-woman relationships -- Italy -- Drama
- Mothers and daughters -- Drama
- Prostitution -- Belgium -- Drama
- Roommates -- Drama
- Taxicab drivers -- United States -- Drama
- Voyages and travels -- Personal narratives -- Drama
- Women -- Belgium -- Social conditions -- Drama
- Images:
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- PDFs:
-
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