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- Record type:
- document
- Document type:
- program note
- Document author(s):
- Geoffrey Nowell-Smith
- Document source:
- National Film Theatre (London, England)
- Document contains:
- production co
- Number of pages:
- 3
- Related films:
-
- Les bas-fonds (The lower depths) — Renoir, Jean — France — 1936
- Tosca — Koch, Carl — No country known — 1941
- Ossessione (Obsession) — Visconti, Luchino — Italy — 1942
- Giorni di gloria — De Santis, Giuseppe — No country known — 1945
- La terra trema (The earth trembles) — Visconti, Luchino — Italy — 1948
- Bellissima — Visconti, Luchino — Italy — 1951
- Senso (The wanton contessa) — Visconti, Luchino — Italy — 1954
- Le notti bianche (White nights) — Visconti, Luchino — Italy; France — 1957
- Rocco e i suoi fratelli (Rocco and his brothers) — Visconti, Luchino — Italy; France — 1960
- Il gattopardo (The leopard) — Visconti, Luchino — Italy; France — 1963
- Vaghe stelle dell'orsa (Of a thousand delights) — Visconti, Luchino — Italy — 1965
- La caduta degli dei (The damned) — Visconti, Luchino — Italy; Germany; Switzerland — 1969
- Morte a Venezia (Death in Venice) — Visconti, Luchino — Italy; France — 1971
- Ludwig — Visconti, Luchino — Italy; France; Germany — 1972
- Gruppo di famiglia in un interno (Conversation piece) — Visconti, Luchino — Italy; France — 1974
- L'innocente (The innocent) — Visconti, Luchino — Italy; France — 1976
- Record type:
- document
- Document type:
- program note
- Document author(s):
- Philip Strick
- Document source:
- National Film Theatre (London, England)
- Document contains:
- production co
- Number of pages:
- 7
- Related films:
-
- Citizen Kane — Welles, Orson — United States — 1941
- Journey into fear — Welles, Orson; Foster, Norman — United States — 1942
- The magnificent Ambersons — Welles, Orson; Wise, Robert; Fleck, Fred — United States — 1942
- Jane eyre — Stevenson, Robert — No country known — 1944
- The stranger — Welles, Orson — United States — 1946
- The lady from Shanghai — Welles, Orson — United States — 1948
- Macbeth — Welles, Orson — United States — 1948
- The third man — Reed, Carol — Great Britain — 1949
- Othello — Welles, Orson — Morocco; United States — 1952
- Moby Dick — Huston, John — United States — 1956
- Touch of evil — Welles, Orson — United States — 1958
- Compulsion — Fleischer, Richard — United States — 1959
- The trial — Welles, Orson — France; Germany; Italy — 1962
- Chimes at midnight — Welles, Orson — Spain; Switzerland — 1966
- I'll never forget what's 'is name — Winner, Michael — No country known — 1967
- Une histoire immortelle (The immortal story) — Welles, Orson — France — 1968
- La décade prodigieuse (Ten days' wonder) — Chabrol, Claude — France — 1971
- F for fake — Welles, Orson — France; Iran — 1975
34. Marcel Pagnol
- Record type:
- document
- Document type:
- program note
- Publication date:
- 1995 Feb
- Document source:
- Museum of Modern Art (New York, N.Y.)
- Document contains:
- bibliography and box info
- Number of pages:
- 2
- Related films:
-
- Le gendre de Monsieur Poirier (Mr. Poirier's son-in-law) — Pagnol, Marcel — France — 1933
- Angèle — Pagnol, Marcel — France — 1934
- Cigalon — Pagnol, Marcel — France — 1935
- Regain (Harvest) — Pagnol, Marcel — France — 1937
- Le schpountz — Pagnol, Marcel — France — 1938
- La belle meunière — Pagnol, Marcel — France — 1948
- Manon des sources (Manon of the spring) — Pagnol, Marcel — France — 1953
- Record type:
- document
- Document type:
- program
- Document author(s):
- Laurence Kardish, Stephen Harvey, and Nicole Jouve
- Document source:
- Interama
- Document contains:
- distribution co and production co
- Number of pages:
- 36
- Related films:
-
- Marius — Korda, Alexander — France — 1931
- Fanny — Allégret, Marc — France — 1932
- Topaze — Gasnier, Louis J. — France — 1933
- Le gendre de Monsieur Poirier (Mr. Poirier's son-in-law) — Pagnol, Marcel — France — 1933
- Angèle — Pagnol, Marcel — France — 1934
- Jofroi — Pagnol, Marcel — France — 1934
- Merlusse — Pagnol, Marcel — France — 1935
- Cigalon — Pagnol, Marcel — France — 1935
- César — Pagnol, Marcel — France — 1936
- Regain (Harvest) — Pagnol, Marcel — France — 1937
- Le schpountz — Pagnol, Marcel — France — 1938
- La femme du boulanger (The baker's wife) — Pagnol, Marcel — France — 1938
- La fille du puisatier (The well-digger's daughter) — Pagnol, Marcel — France — 1940
- La belle meunière — Pagnol, Marcel — France — 1948
- Topaze — Pagnol, Marcel — France — 1951
- Manon des sources (Manon of the spring) — Pagnol, Marcel — France — 1953
- Lettres de mon moulin (Letters from my windmill) — Pagnol, Marcel — France — 1954
36. Max
- Record type:
- document
- Document type:
- article
- Document author(s):
- Marilyn Goldin
- Publication date:
- 1964
- Document source:
- Seventh Art, The
- Document contains:
- production co
- Number of pages:
- 8
- Related films:
-
- Letter from an unknown woman — Ophüls, Max — United States — 1948
- Madame de... (The earrings of Madame de...) — Ophüls, Max — France; Italy — 1953
- Lola Montès — Ophüls, Max — France; Germany — 1955
37. Max Ophuls
- Record type:
- document
- Document type:
- program note
- Document author(s):
- Paul Willemen
- Publication date:
- 1978 Sep
- Document source:
- National Film Theatre (London, England)
- Document contains:
- production co
- Number of pages:
- 5
- Related films:
-
- Die lachende erben (The happy heirs) — Ophüls, Max — Germany — 1931
- Die verliebte firma (The company's in love) — Ophüls, Max — Germany — 1931
- Die verkaufte braut (The bartered bride) — Ophüls, Max — Germany — 1932
- Liebelei (Flirtation) — Ophüls, Max — Germany — 1933
- Une histoire d'amour — Ophüls, Max — France — 1933
- La signora di tutti — Ophüls, Max — Italy — 1934
- Divine — Ophüls, Max — France — 1935
- La tendre ennemie (The tender enemy) — Ophüls, Max — France — 1936
- Komedie om geld (The trouble with money) — Ophüls, Max — Netherlands — 1936
- Yoshiwara — Ophüls, Max — France — 1937
- Werther — Ophüls, Max — France — 1938
- Sans lendemain — Ophüls, Max — France — 1939
- De Mayerling à Sarajevo — Ophüls, Max — France — 1940
- The exile — Ophüls, Max — United States — 1947
- Letter from an unknown woman — Ophüls, Max — United States — 1948
- The reckless moment — Ophüls, Max — United States — 1949
- Caught — Ophüls, Max — United States — 1949
- La ronde — Ophüls, Max — France — 1950
- Le plaisir — Ophüls, Max — France — 1951
- Madame de... (The earrings of Madame de...) — Ophüls, Max — France; Italy — 1953
- Lola Montès — Ophüls, Max — France; Germany — 1955
- Record type:
- document
- Document type:
- article
- Document author(s):
- Andrew Sarris, Michael Kerbel, William Paul, Foster Hirsch, and Gary Carey
- Publication date:
- 1971
- Document source:
- Film Comment
- Document contains:
- bibliography, box info, cost info, filmography, and production co
- Number of pages:
- 12
- Related films:
-
- Letter from an unknown woman — Ophüls, Max — United States — 1948
- The reckless moment — Ophüls, Max — United States — 1949
- Caught — Ophüls, Max — United States — 1949
- Madame de... (The earrings of Madame de...) — Ophüls, Max — France; Italy — 1953
- Record type:
- document
- Document type:
- monograph
- Document author(s):
- Richard Roud
- Publication date:
- 1958
- Document source:
- British Film Institute
- Document contains:
- bibliography, box info, cost info, filmography, and production co
- Number of pages:
- 24
- Related films:
-
- Dann schon lieber Lebertran (I'd rather have cod liver oil) — Ophüls, Max — Germany — 1930
- Die lachende erben (The happy heirs) — Ophüls, Max — Germany — 1931
- Die verliebte firma (The company's in love) — Ophüls, Max — Germany — 1931
- Die verkaufte braut (The bartered bride) — Ophüls, Max — Germany — 1932
- Liebelei (Flirtation) — Ophüls, Max — Germany — 1933
- On a volé un homme (Man stolen) — Ophüls, Max — France — 1933
- Une histoire d'amour — Ophüls, Max — France — 1933
- La signora di tutti — Ophüls, Max — Italy — 1934
- Divine — Ophüls, Max — France — 1935
- La tendre ennemie (The tender enemy) — Ophüls, Max — France — 1936
- Komedie om geld (The trouble with money) — Ophüls, Max — Netherlands — 1936
- La valse brillante — Ophüls, Max — France — 1936
- Ave maria — Ophüls, Max — France — 1936
- Yoshiwara — Ophüls, Max — France — 1937
- Werther — Ophüls, Max — France — 1938
- Sans lendemain — Ophüls, Max — France — 1939
- L'ecole des femmes — Ophüls, Max — Switzerland — 1940
- De Mayerling à Sarajevo — Ophüls, Max — France — 1940
- Vendetta — Ferrer, Mel; Ophüls, Max — United States — 1946
- The exile — Ophüls, Max — United States — 1947
- Letter from an unknown woman — Ophüls, Max — United States — 1948
- The reckless moment — Ophüls, Max — United States — 1949
- Caught — Ophüls, Max — United States — 1949
- La ronde — Ophüls, Max — France — 1950
- Le plaisir — Ophüls, Max — France — 1951
- Madame de... (The earrings of Madame de...) — Ophüls, Max — France; Italy — 1953
- Lola Montès — Ophüls, Max — France; Germany — 1955
- Record type:
- document
- Document type:
- program note
- Document author(s):
- Judy Bloch
- Publication date:
- 1999 Sep
- Document source:
- Pacific Film Archive
- Document contains:
- bibliography and box info
- Number of pages:
- 8
- Related films:
-
- Die lachende erben (The happy heirs) — Ophüls, Max — Germany — 1931
- Die verliebte firma (The company's in love) — Ophüls, Max — Germany — 1931
- Die verkaufte braut (The bartered bride) — Ophüls, Max — Germany — 1932
- Liebelei (Flirtation) — Ophüls, Max — Germany — 1933
- La signora di tutti — Ophüls, Max — Italy — 1934
- La tendre ennemie (The tender enemy) — Ophüls, Max — France — 1936
- Komedie om geld (The trouble with money) — Ophüls, Max — Netherlands — 1936
- Yoshiwara — Ophüls, Max — France — 1937
- Sans lendemain — Ophüls, Max — France — 1939
- De Mayerling à Sarajevo — Ophüls, Max — France — 1940
- Letter from an unknown woman — Ophüls, Max — United States — 1948
- The reckless moment — Ophüls, Max — United States — 1949
- Caught — Ophüls, Max — United States — 1949
- La ronde — Ophüls, Max — France — 1950
- Le plaisir — Ophüls, Max — France — 1951
- Madame de... (The earrings of Madame de...) — Ophüls, Max — France; Italy — 1953
- Lola Montès — Ophüls, Max — France; Germany — 1955
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