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- Record type:
- document
- Document type:
- program note
- Document author(s):
- Pauline Kael
- Document contains:
- bibliography, box info, and distribution co
- Number of pages:
- 1
- Related films:
-
- Record type:
- document
- Document type:
- program note
- Document source:
- Film Circle
- Document contains:
- bibliography, box info, distribution co, and filmography
- Number of pages:
- 1
- Related films:
-
- Record type:
- document
- Document type:
- program note
- Document author(s):
- David Stewart Hull
- Document source:
- Fairbanks Weekend Film Series
- Document contains:
- bibliography, box info, cost info, distribution co, and filmography
- Number of pages:
- 2
- Related films:
-
- Record type:
- document
- Document type:
- article
- Document author(s):
- Manny Farber
- Document source:
- For Now
- Document contains:
- production co
- Number of pages:
- 103
- Related films:
-
- The leopard man — Tourneur, Jacques — United States — 1943
- Manon — Clouzot, Henri-Georges — France — 1949
- The third man — Reed, Carol — Great Britain — 1949
- Home of the brave — Robson, Mark — No country known — 1949
- The Men — Zinnemann, Fred — No country known — 1950
- Riding high — Capra, Frank — United States — 1950
- Strangers on a train — Hitchcock, Alfred — United States — 1951
- A place in the sun — Stevens, George — United States — 1951
- The lusty men — Ray, Nicholas — United States — 1952
- Boots Malone — Dieterle, William — United States — 1952
- Don't bother to knock — Baker, Roy Ward — United States — 1952
- The turning point — Dieterle, William — United States — 1952
- Lola Montès — Ophüls, Max — France; Germany — 1955
- Mouchette — Bresson, Robert — France — 1967
- Faces — Cassavetes, John — United States — 1968
- Record type:
- document
- Document type:
- program note
- Document author(s):
- Philip Strick
- Document source:
- National Film Theatre (London, England)
- Document contains:
- production co
- Number of pages:
- 7
- Related films:
-
- Citizen Kane — Welles, Orson — United States — 1941
- Journey into fear — Welles, Orson; Foster, Norman — United States — 1942
- The magnificent Ambersons — Welles, Orson; Wise, Robert; Fleck, Fred — United States — 1942
- Jane eyre — Stevenson, Robert — No country known — 1944
- The stranger — Welles, Orson — United States — 1946
- The lady from Shanghai — Welles, Orson — United States — 1948
- Macbeth — Welles, Orson — United States — 1948
- The third man — Reed, Carol — Great Britain — 1949
- Othello — Welles, Orson — Morocco; United States — 1952
- Moby Dick — Huston, John — United States — 1956
- Touch of evil — Welles, Orson — United States — 1958
- Compulsion — Fleischer, Richard — United States — 1959
- The trial — Welles, Orson — France; Germany; Italy — 1962
- Chimes at midnight — Welles, Orson — Spain; Switzerland — 1966
- I'll never forget what's 'is name — Winner, Michael — No country known — 1967
- Une histoire immortelle (The immortal story) — Welles, Orson — France — 1968
- La décade prodigieuse (Ten days' wonder) — Chabrol, Claude — France — 1971
- F for fake — Welles, Orson — France; Iran — 1975
- Record type:
- document
- Document type:
- review
- Document author(s):
- Tom Allen and Andrew Sarris
- Document source:
- Village Voice
- Document contains:
- bibliography and production co
- Number of pages:
- 1
- Related films:
-
- Record type:
- document
- Document type:
- review
- Document contains:
- production co
- Number of pages:
- 2
- Related films:
-
- Record type:
- document
- Document type:
- distributor materials
- Document source:
- British Film Institute
- Document contains:
- distribution co and production co
- Number of pages:
- 1
- Related films:
-
- Record type:
- document
- Document type:
- review
- Document author(s):
- Harold Myers
- Document source:
- Variety
- Document contains:
- bibliography, box info, and distribution co
- Number of pages:
- 1
- Related films:
-
- Record type:
- document
- Document type:
- review
- Document contains:
- production co
- Number of pages:
- 2
- Related films:
-