- Record type:
- document
- Document type:
- program note
- Document source:
- Pacific Film Archive
- Document contains:
- distribution co
- Number of pages:
- 6
- Related films:
-
- Citizen Kane — Welles, Orson — United States — 1941
- The magnificent Ambersons — Welles, Orson; Wise, Robert; Fleck, Fred — United States — 1942
- The body snatcher — Wise, Robert — United States — 1945
- Born to kill — Wise, Robert — United States — 1947
- Blood on the moon — Wise, Robert — United States — 1948
- The set-up — Wise, Robert — United States — 1949
- The day the Earth stood still — Wise, Robert — United States — 1951
- Executive suite — Wise, Robert — United States — 1954
- I want to live! — Wise, Robert — United States — 1958
- Odds against tomorrow — Wise, Robert — United States — 1959
- West Side story — Wise, Robert; Robbins, Jerome — Great Britain; United States — 1961
- Two for the seesaw — Wise, Robert — United States — 1962
- The haunting — Wise, Robert — Great Britain — 1963
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- Record type:
- document
- Document type:
- program note
- Document author(s):
- Erich Sargeant
- Document source:
- National Film Theatre (London, England)
- Document contains:
- production co
- Number of pages:
- 3
- Related films:
-
- The magnificent Ambersons — Welles, Orson; Wise, Robert; Fleck, Fred — United States — 1942
- The set-up — Wise, Robert — United States — 1949
- The day the Earth stood still — Wise, Robert — United States — 1951
- West Side story — Wise, Robert; Robbins, Jerome — Great Britain; United States — 1961
- The haunting — Wise, Robert — Great Britain — 1963
- Record type:
- document
- Document type:
- program note
- Document author(s):
- James Quandt
- Publication date:
- 2000 Mar 09
- Document source:
- Cinematheque Ontario/a division of Toronto International Film Festival Group
- Document contains:
- production co
- Number of pages:
- 6
- Related films:
-
- Citizen Kane — Welles, Orson — United States — 1941
- Journey into fear — Welles, Orson; Foster, Norman — United States — 1942
- The magnificent Ambersons — Welles, Orson; Wise, Robert; Fleck, Fred — United States — 1942
- The stranger — Welles, Orson — United States — 1946
- The lady from Shanghai — Welles, Orson — United States — 1948
- Macbeth — Welles, Orson — United States — 1948
- Othello — Welles, Orson — Morocco; United States — 1952
- Mr. Arkadin — Welles, Orson — Spain; France; Great Britain; United States — 1955
- Touch of evil — Welles, Orson — United States — 1958
- The trial — Welles, Orson — France; Germany; Italy — 1962
- Chimes at midnight — Welles, Orson — Spain; Switzerland — 1966
- Une histoire immortelle (The immortal story) — Welles, Orson — France — 1968
- F for fake — Welles, Orson — France; Iran — 1975
- Filming Othello — Welles, Orson — United States — 1978
- It's all true — Welles, Orson — United States; France — 1993
- Record type:
- document
- Document type:
- program
- Publication date:
- 1965 May
- Document source:
- National Film Theatre (Ottawa)
- Document contains:
- cost info
- Number of pages:
- 25
- Related films:
-
- Citizen Kane — Welles, Orson — United States — 1941
- Journey into fear — Welles, Orson; Foster, Norman — United States — 1942
- The magnificent Ambersons — Welles, Orson; Wise, Robert; Fleck, Fred — United States — 1942
- The lady from Shanghai — Welles, Orson — United States — 1948
- Macbeth — Welles, Orson — United States — 1948
- Othello — Welles, Orson — Morocco; United States — 1952
- Mr. Arkadin — Welles, Orson — Spain; France; Great Britain; United States — 1955
- Touch of evil — Welles, Orson — United States — 1958
- Record type:
- document
- Document type:
- program note
- Document author(s):
- Philip Strick
- Document source:
- National Film Theatre (London, England)
- Document contains:
- production co
- Number of pages:
- 7
- Related films:
-
- Citizen Kane — Welles, Orson — United States — 1941
- Journey into fear — Welles, Orson; Foster, Norman — United States — 1942
- The magnificent Ambersons — Welles, Orson; Wise, Robert; Fleck, Fred — United States — 1942
- Jane eyre — Stevenson, Robert — No country known — 1944
- The stranger — Welles, Orson — United States — 1946
- The lady from Shanghai — Welles, Orson — United States — 1948
- Macbeth — Welles, Orson — United States — 1948
- The third man — Reed, Carol — Great Britain — 1949
- Othello — Welles, Orson — Morocco; United States — 1952
- Moby Dick — Huston, John — United States — 1956
- Touch of evil — Welles, Orson — United States — 1958
- Compulsion — Fleischer, Richard — United States — 1959
- The trial — Welles, Orson — France; Germany; Italy — 1962
- Chimes at midnight — Welles, Orson — Spain; Switzerland — 1966
- I'll never forget what's 'is name — Winner, Michael — No country known — 1967
- Une histoire immortelle (The immortal story) — Welles, Orson — France — 1968
- La décade prodigieuse (Ten days' wonder) — Chabrol, Claude — France — 1971
- F for fake — Welles, Orson — France; Iran — 1975
- Record type:
- document
- Document type:
- press release
- Publication date:
- 01/01/1974
- Document source:
- Berkeley Art Museum/Pacific Film Archive
- Number of pages:
- 6
- Related films:
-
- The grapes of wrath — Ford, John — United States — 1940
- The magnificent Ambersons — Welles, Orson; Wise, Robert; Fleck, Fred — United States — 1942
- Le journal d'une femme de chambre (Diary of a chambermaid) — Renoir, Jean — France — 1946
- Oliver Twist — Lean, David — Great Britain — 1948
- Outcast of the islands — Reed, Carol — Great Britain — 1952
- Le rouge et le noir (The red and the black) — Autant-Lara, Claude — France — 1954
- The trial — Welles, Orson — France; Germany; Italy — 1962
- Le journal d'une femme de chambre (The diary of a chambermaid) — Buñuel, Luis — France; Italy — 1964
- La religieuse (The nun) — Rivette, Jacques — France — 1967
- Une histoire immortelle (The immortal story) — Welles, Orson — France — 1968
- The Rocking horse winner — Bierman, Robert — No country known — 1982
7. Orson Welles
- Record type:
- document
- Document type:
- article
- Document author(s):
- Andrew Sarris
- Publication date:
- 1988 Nov
- Document source:
- American Film
- Document contains:
- production co
- Number of pages:
- 3
- Related films:
-
- Citizen Kane — Welles, Orson — United States — 1941
- The magnificent Ambersons — Welles, Orson; Wise, Robert; Fleck, Fred — United States — 1942
- The stranger — Welles, Orson — United States — 1946
- The lady from Shanghai — Welles, Orson — United States — 1948
- Macbeth — Welles, Orson — United States — 1948
- The third man — Reed, Carol — Great Britain — 1949
- Touch of evil — Welles, Orson — United States — 1958
- The trial — Welles, Orson — France; Germany; Italy — 1962
- Citizen welles — Dawson, Michael — No country known — 1988
- Record type:
- document
- Document type:
- monograph
- Document author(s):
- Peter Bogdanovich
- Document source:
- Museum of Modern Art (New York, N.Y.)
- Document contains:
- bibliography, box info, cost info, filmography, and production co
- Number of pages:
- 18
- Related films:
-
- Citizen Kane — Welles, Orson — United States — 1941
- Journey into fear — Welles, Orson; Foster, Norman — United States — 1942
- The magnificent Ambersons — Welles, Orson; Wise, Robert; Fleck, Fred — United States — 1942
- The stranger — Welles, Orson — United States — 1946
- The lady from Shanghai — Welles, Orson — United States — 1948
- Macbeth — Welles, Orson — United States — 1948
- Othello — Welles, Orson — Morocco; United States — 1952
- Mr. Arkadin — Welles, Orson — Spain; France; Great Britain; United States — 1955
- Touch of evil — Welles, Orson — United States — 1958
- Record type:
- document
- Document type:
- program note
- Document source:
- National Film Theatre (London, England)
- Number of pages:
- 1
- Related films:
-
- The magnificent Ambersons — Welles, Orson; Wise, Robert; Fleck, Fred — United States — 1942
- The set-up — Wise, Robert — United States — 1949
- West Side story — Wise, Robert; Robbins, Jerome — Great Britain; United States — 1961
- The haunting — Wise, Robert — Great Britain — 1963