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- Record type:
- document
- Document type:
- program note
- Document author(s):
- James Quandt
- Publication date:
- 2000 Mar 09
- Document source:
- Cinematheque Ontario/a division of Toronto International Film Festival Group
- Document contains:
- production co
- Number of pages:
- 6
- Related films:
-
- Citizen Kane — Welles, Orson — United States — 1941
- Journey into fear — Welles, Orson; Foster, Norman — United States — 1942
- The magnificent Ambersons — Welles, Orson; Wise, Robert; Fleck, Fred — United States — 1942
- The stranger — Welles, Orson — United States — 1946
- The lady from Shanghai — Welles, Orson — United States — 1948
- Macbeth — Welles, Orson — United States — 1948
- Othello — Welles, Orson — Morocco; United States — 1952
- Mr. Arkadin — Welles, Orson — Spain; France; Great Britain; United States — 1955
- Touch of evil — Welles, Orson — United States — 1958
- The trial — Welles, Orson — France; Germany; Italy — 1962
- Chimes at midnight — Welles, Orson — Spain; Switzerland — 1966
- Une histoire immortelle (The immortal story) — Welles, Orson — France — 1968
- F for fake — Welles, Orson — France; Iran — 1975
- Filming Othello — Welles, Orson — United States — 1978
- It's all true — Welles, Orson — United States; France — 1993
- Record type:
- document
- Document type:
- synopsis
- Document author(s):
- Rosa von Praunheim
- Document contains:
- bibliography, box info, distribution co, filmography, and production co
- Number of pages:
- 4
- Related films:
-
- Macbeth — von Praunheim, Rosa — Germany — 1970
- Record type:
- document
- Document type:
- program note
- Document author(s):
- Philip Strick
- Document source:
- National Film Theatre (London, England)
- Document contains:
- production co
- Number of pages:
- 7
- Related films:
-
- Citizen Kane — Welles, Orson — United States — 1941
- Journey into fear — Welles, Orson; Foster, Norman — United States — 1942
- The magnificent Ambersons — Welles, Orson; Wise, Robert; Fleck, Fred — United States — 1942
- Jane eyre — Stevenson, Robert — No country known — 1944
- The stranger — Welles, Orson — United States — 1946
- The lady from Shanghai — Welles, Orson — United States — 1948
- Macbeth — Welles, Orson — United States — 1948
- The third man — Reed, Carol — Great Britain — 1949
- Othello — Welles, Orson — Morocco; United States — 1952
- Moby Dick — Huston, John — United States — 1956
- Touch of evil — Welles, Orson — United States — 1958
- Compulsion — Fleischer, Richard — United States — 1959
- The trial — Welles, Orson — France; Germany; Italy — 1962
- Chimes at midnight — Welles, Orson — Spain; Switzerland — 1966
- I'll never forget what's 'is name — Winner, Michael — No country known — 1967
- Une histoire immortelle (The immortal story) — Welles, Orson — France — 1968
- La décade prodigieuse (Ten days' wonder) — Chabrol, Claude — France — 1971
- F for fake — Welles, Orson — France; Iran — 1975
- Record type:
- document
- Document type:
- program note
- Document author(s):
- Seigfried Schober
- Number of pages:
- 1
- Related films:
-
- Macbeth — von Praunheim, Rosa — Germany — 1970
- Record type:
- document
- Document type:
- article
- Document author(s):
- Andrew Sarris
- Publication date:
- 1988 Nov
- Document source:
- American Film
- Document contains:
- production co
- Number of pages:
- 3
- Related films:
-
- Citizen Kane — Welles, Orson — United States — 1941
- The magnificent Ambersons — Welles, Orson; Wise, Robert; Fleck, Fred — United States — 1942
- The stranger — Welles, Orson — United States — 1946
- The lady from Shanghai — Welles, Orson — United States — 1948
- Macbeth — Welles, Orson — United States — 1948
- The third man — Reed, Carol — Great Britain — 1949
- Touch of evil — Welles, Orson — United States — 1958
- The trial — Welles, Orson — France; Germany; Italy — 1962
- Citizen welles — Dawson, Michael — No country known — 1988