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- Record type:
- document
- Document type:
- program note
- Document author(s):
- Philip Strick
- Document source:
- National Film Theatre (London, England)
- Document contains:
- production co
- Number of pages:
- 7
- Related films:
-
- Citizen Kane — Welles, Orson — United States — 1941
- Journey into fear — Welles, Orson; Foster, Norman — United States — 1942
- The magnificent Ambersons — Welles, Orson; Wise, Robert; Fleck, Fred — United States — 1942
- Jane eyre — Stevenson, Robert — No country known — 1944
- The stranger — Welles, Orson — United States — 1946
- The lady from Shanghai — Welles, Orson — United States — 1948
- Macbeth — Welles, Orson — United States — 1948
- The third man — Reed, Carol — Great Britain — 1949
- Othello — Welles, Orson — Morocco; United States — 1952
- Moby Dick — Huston, John — United States — 1956
- Touch of evil — Welles, Orson — United States — 1958
- Compulsion — Fleischer, Richard — United States — 1959
- The trial — Welles, Orson — France; Germany; Italy — 1962
- Chimes at midnight — Welles, Orson — Spain; Switzerland — 1966
- I'll never forget what's 'is name — Winner, Michael — No country known — 1967
- Une histoire immortelle (The immortal story) — Welles, Orson — France — 1968
- La décade prodigieuse (Ten days' wonder) — Chabrol, Claude — France — 1971
- F for fake — Welles, Orson — France; Iran — 1975
- Record type:
- document
- Document type:
- program
- Document author(s):
- Charles Higham
- Publication date:
- 1972 Jul 19
- Document source:
- Mayfair Repertory Cinema
- Document contains:
- production co
- Number of pages:
- 4
- Related films:
-
- Jane eyre — Stevenson, Robert — No country known — 1944
- The stranger — Welles, Orson — United States — 1946
- The lady from Shanghai — Welles, Orson — United States — 1948
- Macbeth — Welles, Orson — United States — 1948
- The third man — Reed, Carol — Great Britain — 1949
- Black magic — Ratoff, Gregory — United States — 1949
- Othello — Welles, Orson — Morocco; United States — 1952
- Mr. Arkadin — Welles, Orson — Spain; France; Great Britain; United States — 1955
- Moby Dick — Huston, John — United States — 1956
- Touch of evil — Welles, Orson — United States — 1958
- Compulsion — Fleischer, Richard — United States — 1959
- Chimes at midnight — Welles, Orson — Spain; Switzerland — 1966
- Une histoire immortelle (The immortal story) — Welles, Orson — France — 1968
- Crack in the mirror — Benson, Robby — No country known — 1988
- Record type:
- document
- Document type:
- review
- Document author(s):
- Stephanie Zacharek
- Publication date:
- 2011 May 1
- Document source:
- New York Times
- Document contains:
- production co
- Number of pages:
- 1
- Related films:
-
- The magnificent Ambersons — Welles, Orson; Wise, Robert; Fleck, Fred — United States — 1942
- Jalsaghar (The music room) — Ray, Satyajit — India — 1959
- Il gattopardo (The leopard) — Visconti, Luchino — Italy; France — 1963
- Record type:
- document
- Document type:
- flyer
- Document source:
- Film Society of Lincoln Center
- Document contains:
- distribution co and production co
- Number of pages:
- 1
- Related films:
-
- His girl Friday — Hawks, Howard — United States — 1940
- The Big sky — Hawks, Howard — No country known — 1952
- It should happen to you — Cukor, George Dewey — No country known — 1953
- Le carrosse d'or (The golden coach) — Renoir, Jean — France; Italy — 1953
- Johnny Guitar — Ray, Nicholas — United States — 1954
- Kiss me deadly — Aldrich, Robert — United States — 1955
- Lola Montès — Ophüls, Max — France; Germany — 1955
- Baby Doll — Kazan, Elia — United States — 1956
- Written on the wind — Sirk, Douglas — United States — 1956
- Giant — Stevens, George Jr. — No country known — 1956
- The Girl can't help it — Tashlin, Frank — No country known — 1956
- Touch of evil — Welles, Orson — United States — 1958
- Vertigo — Hitchcock, Alfred — United States — 1958
- Les quatre cents coups (The 400 blows) — Truffaut, François — France — 1959
- À bout de souffle (Breathless) — Godard, Jean Luc — France — 1959
- Tirez sur le pianiste (Shoot the piano player) — Truffaut, François — France — 1960
- Jules et Jim — Truffaut, François — France — 1962
- La peau douce (The soft skin) — Truffaut, François — France; Portugal — 1964
- Fahrenheit 451 — Truffaut, François — Great Britain — 1966
- La mariée était en noir (The bride wore black) — Truffaut, François — France; Italy — 1968
- Baisers volés (Stolen kisses) — Truffaut, François — France — 1968
- Ma nuit chez Maud (My night at Maud's) — Rohmer, Éric — France — 1969
- La sirène du Mississippi (Mississippi mermaid) — Truffaut, François — France; Italy — 1969
- L'enfant sauvage (The wild child) — Truffaut, François — France — 1969
- The Honeymoon killers — Kastle, Leonard — No country known — 1969
- Tristana — Buñuel, Luis — Spain; France; Italy — 1970
- Domicile conjugal (Bed and board) — Truffaut, François — France; Italy — 1970
- Les Deux anglaises et le continent (Two english girls) — Truffaut, François — France — 1971
- La nuit américaine (Day for night) — Truffaut, François — France; Italy — 1973
- L'Histoire d'Adèle H. (The story of Adele H) — Truffaut, François — France — 1975
- L'argent de poche (Small change) — Truffaut, François — France — 1976
- Casanova — Fellini, Federico — Italy — 1976
- Close encounters of the third kind — Spielberg, Steven — No country known — 1977
- L'Homme qui aimait les femmes (the Man who loved women) — Truffaut, François — France — 1977
- La chambre verte (The green room) — Truffaut, François — France — 1978
- L'Amour en fuite (Love on the run) — Truffaut, François — France — 1979
- Le dernier métro (The last metro) — Truffaut, François — France — 1980
- La femme d'à côté (The Woman next door) — Truffaut, François — France — 1981
- Vivement dimanche! (Confidentially yours) — Truffaut, François — France — 1983