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405. 'Metropolis'

408. 'Mist' is touched by magic

409. 'Mon oncle'

410. 'Mondo cane'

412. 'Monsoon' season

414. 'Mother and son' is hypnotic, magisterial

418. 'Namesake's' author put her trust in director

419. 'Never let me go'

420. 'Nevsky' : new sound, old fury

421. 'Nevsky' back on sound ground

422. 'Nevsky,' alive and well

423. 'New wave'

424. 'Nibelungen' series revived

425. 'No Man's Land,' by Alain Tanner

433. 'Nostalghia,' in Italian

434. 'Notre musique'

435. 'November days'

437. 'Nowhere' goes there fast

438. 'Nun': ecclesiastical evil

440. 'Oh, Socrates'

442. 'One p.m.' at Whitney museum

443. 'Open city'

444. 'Open city' revisited

447. 'Paris 1900' worthy film

448. 'Partner' childish film

449. 'Partner' has double trouble

450. 'Passion,' essay on art from Jean-Luc Godard

454. 'Performance' brilliant, disturbing work

458. 'Piano': just a woman's fantasy?

459. 'Pickwick Papers'

461. 'Pimpernel' makes a comeback

462. 'Pimpernel' still magnificent

463. 'Pink Floyd' film visual music

464. 'Pit of loneliness'

465. 'Playtime'

467. 'Portrait of a Lady': it's Henry James, but not literally

469. 'Power of the people'

470. 'Princess' rules in Japanese anime

474. 'Providence' - a chronic mystery

476. 'Ramparts of clay'

477. 'Ramparts of clay'

478. 'Ran' gets big runaround for the Oscars

479. 'Ran' will be crowning achievement: Kurosawa

480. 'Ran': Kurosawa spectacle needs some sorting out

481. 'Rashomon' returns, probing reality anew

482. 'Red Desert' a dried-up film in today's world

483. 'Red desert'

487. 'Rififi' ripens into a classic

491. 'Rocky' road for 'Ropes'

492. 'Rules of the game'

493. 'Russian ark'

494. 'Sacrifice' is a courageous testament

495. 'Save and protect'

496. 'Scoop' is Allen's funniest film in years

500. 'September 11'