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- Record type:
- document
- Document type:
- review
- Document author(s):
- Peter Stack
- Publication date:
- 1986 Dec 26
- Document source:
- San Francisco Chronicle
- Document contains:
- production co
- Number of pages:
- 1
- Related films:
-
- Record type:
- document
- Document type:
- program note
- Document author(s):
- Judy Bloch
- Document source:
- San Francisco International Film Festival
- Document contains:
- bibliography, box info, distribution co, filmography, and production co
- Number of pages:
- 1
- Related films:
-
- Record type:
- document
- Document type:
- press kit
- Document source:
- Pacific Film Archive
- Document contains:
- bibliography and box info
- Number of pages:
- 14
- Related films:
-
- Bleak moments — Leigh, Mike — England — 1971
- Hard labour — Leigh, Mike — England — 1973
- Nuts in May — Leigh, Mike — England — 1976
- Abigail's party — Leigh, Mike — England; Great Britain — 1977
- The kiss of death — Leigh, Mike — England — 1977
- Who's who — Leigh, Mike — England — 1978
- Grown ups — Leigh, Mike — England — 1980
- Meantime — Leigh, Mike — England — 1983
- Four days in july — Leigh, Mike — England — 1984
- Home sweet home — Leigh, Mike — England — 1987
- High hopes — Leigh, Mike — England — 1989
- Record type:
- document
- Document type:
- program
- Document author(s):
- Kimberly Tomadjoglou
- Publication date:
- 1993 Dec
- Document source:
- National Gallery of Art
- Number of pages:
- 9
- Related films:
-
- Douro, faina fluvial (Hard work on the River Douro) — Oliveira, Manoel de — Portugal — 1931
- Aniki Bóbó — Oliveira, Manoel de — Portugal — 1942
- O pintor e a cidade (The painter and the city) — Oliveira, Manoel de — Portugal — 1956
- O pão (The bread) — Oliveira, Manoel de — Portugal — 1959
- A caça (The hunt) — Oliveira, Manoel de — Portugal — 1963
- O acto da primavera (Rite of spring) — Oliveira, Manoel de — Portugal — 1963
- As pinturas do meu irmão Júlio (Pictures of my brother Julio) — Oliveira, Manoel de — Portugal — 1965
- O passado e o presente (Past and present) — Oliveira, Manoel de — Portugal — 1972
- Benilde ou a virgem mãe (Benilde or the virgin mother) — Oliveira, Manoel de — Portugal — 1975
- Amor de perdicão (Doomed love) — Oliveira, Manoel de — Portugal — 1978
- Francisca — Oliveira, Manoel de — Portugal — 1981
- Visita ou Memórias e confissões (Memories and confessions) — Oliveira, Manoel de — Portugal — 1982
- Lisboa cultural (Cultural Lisbon) — Oliveira, Manoel de — Italy; Portugal — 1983
- Nice à propos de Jean Vigo — Oliveira, Manoel de — France — 1984
- Le soulier de satin (The satin slipper) — Oliveira, Manoel de — France; Germany; Portugal; Switzerland — 1985
- Mon cas (My case) — Oliveira, Manoel de — France; Portugal — 1987
- Os canibais (The cannibals) — Oliveira, Manoel de — Portugal; France — 1988
- Non, ou a vã glória de mandar (No, or the vain glory of command) — Oliveira, Manoel de — Portugal; France; Spain — 1990
- Record type:
- document
- Document type:
- program note
- Document author(s):
- Judy Bloch
- Publication date:
- 1997 Mar
- Document source:
- Pacific Film Archive
- Document contains:
- bibliography and box info
- Number of pages:
- 10
- Related films:
-
- magliari (The swindlers) — Rosi, Francesco — Italy — 1958
- La sfida (The challenge) — Rosi, Francesco — Italy — 1959
- Salvatore Giuliano — Rosi, Francesco — Italy — 1961
- Le mani sulla città (Hands over the city) — Rosi, Francesco — Italy — 1963
- Il momento della verita (The moment of truth) — Rosi, Francesco — Italy; Spain — 1965
- C'era una volta (More than a miracle) — Rosi, Francesco — Italy; France — 1967
- Uomini contro (Just another war) — Rosi, Francesco — Italy; Yugoslavia — 1970
- Il caso Mattei (The Mattei affair) — Rosi, Francesco — Italy — 1972
- Lucky Luciano — Rosi, Francesco — Italy — 1973
- Cadaveri eccellenti (Illustrious corpses) — Rosi, Francesco — Italy — 1976
- Cristo si è fermato a Eboli (Christ stopped at Eboli) — Rosi, Francesco — Italy — 1979
- Tre fratelli (Three brothers) — Rosi, Francesco — Italy; France — 1981
- Carmen — Rosi, Francesco — France; Italy — 1984
- Cronaca di una morte annunciata (Chronicle of a death foretold) — Rosi, Francesco — Italy; France — 1987
- Dimenticare Palermo (To forget Palermo) — Rosi, Francesco — Italy; France — 1990
- Diario napoletano (Neapolitan diary) — Rosi, Francesco — Italy — 1992
- Record type:
- document
- Document type:
- distributor materials
- Publication date:
- 1986
- Document source:
- Canyon Cinema
- Document contains:
- production co
- Number of pages:
- 4
- Related films:
-
- Schmeerguntz — Nelson, Gunvor; Wiley, Dorothy — United States; Sweden — 1966
- Fog Pumas — Nelson, Gunvor; Wiley, Dorothy — United States — 1967
- Kirsa Nicholina — Nelson, Gunvor — United States — 1969
- My Name is Oona — Nelson, Gunvor — United States; Sweden — 1969
- Five Artists: BillBobBillBillBob — Nelson, Gunvor; Wiley, Dorothy — United States; Sweden — 1971
- One & the Same — Nelson, Gunvor; Bartlett, Freude — United States — 1972
- Take Off — Nelson, Gunvor — United States — 1972
- Moons Pool — Nelson, Gunvor — United States — 1973
- Trollstenen — Nelson, Gunvor — United States — 1973
- Before Need — Nelson, Gunvor; Wiley, Dorothy — United States — 1979
- Frame Line — Nelson, Gunvor — United States — 1984
- Red Shift — Nelson, Gunvor — United States; Sweden — 1984
- Light Years — Nelson, Gunvor — United States; Sweden — 1987
- Record type:
- document
- Document type:
- book review
- Document author(s):
- Daniel Fairfax
- Publication date:
- 9/16/2016
- Document source:
- Senses of cinema
- Document contains:
- bibliography, box info, cost info, production co, and tech credits
- Number of pages:
- 16
- Related films:
-
- Machorka-Muff — Straub, Jean-Marie; Huillet, Danièle — Germany — 1962
- Nicht versöhnt ode Es hilft nur Gewalt wo Gewalt herrscht (Not reconciled) — Straub, Jean-Marie; Huillet, Danièle — Germany — 1962
- Chronik der Anna Magdalena Bach (Chronicle of Anna Magdalena Bach) — Straub, Jean-Marie; Huillet, Danièle — Germany — 1967
- Othon (Eyes do not want to close at all times or Perhaps one day Rome will permit herself to choose in her turn) — Straub, Jean-Marie; Huillet, Danièle — Germany; Italy — 1969
- Einleitung zu Arnold Schönbergs Begleitmusik zu einer Lichtspielscene (Introduction to Arnold Schoenberg’s “Accompaniment to a cinematographic scene”) — Straub, Jean-Marie; Huillet, Danièle — Germany — 1972
- Geschichtsunterricht — Straub, Jean-Marie; Huillet, Danièle — Germany; Italy — 1972
- Moses und Aron (Moses and Aaron) — Straub, Jean-Marie; Huillet, Danièle — Germany; France; Italy — 1975
- Dalla nube alla resistenza — Straub, Jean-Marie; Huillet, Danièle — Italy; Germany — 1976
- Fortini/Cani — Straub, Jean-Marie; Huillet, Danièle — Italy — 1976
- Toute révolution est un coup de dés — Straub, Jean-Marie; Huillet, Danièle — France — 1977
- Trop tôt, trop tard — Straub, Jean-Marie; Huillet, Danièle — France; Egypt — 1981
- Klassenverhältnisse (Class relations) — Straub, Jean-Marie; Huillet, Danièle — Germany; France — 1984
- Der Tod des Empedokles (The death of Empedocles) — Straub, Jean-Marie; Huillet, Danièle — France; Germany — 1987
- Antigone — Straub, Jean-Marie; Huillet, Danièle — France; Germany — 1992
- Sicilia! (Sicily!) — Straub, Jean-Marie; Huillet, Danièle — Italy — 1998
- Record type:
- document
- Document type:
- program
- Publication date:
- 9/16/2016
- Document source:
- Harvard Film Archive
- Document contains:
- bibliography, box info, cost info, production co, and tech credits
- Number of pages:
- 20
- Related films:
-
- Machorka-Muff — Straub, Jean-Marie; Huillet, Danièle — Germany — 1962
- Nicht versöhnt ode Es hilft nur Gewalt wo Gewalt herrscht (Not reconciled) — Straub, Jean-Marie; Huillet, Danièle — Germany — 1962
- Chronik der Anna Magdalena Bach (Chronicle of Anna Magdalena Bach) — Straub, Jean-Marie; Huillet, Danièle — Germany — 1967
- Othon (Eyes do not want to close at all times or Perhaps one day Rome will permit herself to choose in her turn) — Straub, Jean-Marie; Huillet, Danièle — Germany; Italy — 1969
- Einleitung zu Arnold Schönbergs Begleitmusik zu einer Lichtspielscene (Introduction to Arnold Schoenberg’s “Accompaniment to a cinematographic scene”) — Straub, Jean-Marie; Huillet, Danièle — Germany — 1972
- Geschichtsunterricht — Straub, Jean-Marie; Huillet, Danièle — Germany; Italy — 1972
- Moses und Aron (Moses and Aaron) — Straub, Jean-Marie; Huillet, Danièle — Germany; France; Italy — 1975
- Dalla nube alla resistenza — Straub, Jean-Marie; Huillet, Danièle — Italy; Germany — 1976
- Fortini/Cani — Straub, Jean-Marie; Huillet, Danièle — Italy — 1976
- Toute révolution est un coup de dés — Straub, Jean-Marie; Huillet, Danièle — France — 1977
- Trop tôt, trop tard — Straub, Jean-Marie; Huillet, Danièle — France; Egypt — 1981
- Klassenverhältnisse (Class relations) — Straub, Jean-Marie; Huillet, Danièle — Germany; France — 1984
- Der Tod des Empedokles (The death of Empedocles) — Straub, Jean-Marie; Huillet, Danièle — France; Germany — 1987
- Antigone — Straub, Jean-Marie; Huillet, Danièle — France; Germany — 1992
- Sicilia! (Sicily!) — Straub, Jean-Marie; Huillet, Danièle — Italy — 1998
- Record type:
- document
- Document type:
- program note
- Document author(s):
- James Quandt
- Publication date:
- 1998
- Document source:
- Cinematheque Ontario/a division of Toronto International Film Festival Group
- Document contains:
- production co
- Number of pages:
- 8
- Related films:
-
- I shot Jesse James — Fuller, Samuel — United States — 1948
- The Baron of Arizona — Fuller, Samuel — United States — 1950
- The steel helmet — Fuller, Samuel — United States — 1950
- Fixed bayonets — Fuller, Samuel — United States — 1951
- Park Row — Fuller, Samuel — United States — 1952
- Pickup on South Street — Fuller, Samuel — United States — 1953
- Hell and high water — Fuller, Samuel — United States — 1953
- House of bamboo — Fuller, Samuel — United States — 1955
- Run of the arrow — Fuller, Samuel — United States — 1957
- Forty guns — Fuller, Samuel — United States — 1957
- China gate — Fuller, Samuel — United States — 1957
- Verboten! — Fuller, Samuel — United States — 1958
- The crimson kimono — Fuller, Samuel — United States — 1959
- Underworld U.S.A. — Fuller, Samuel — United States — 1960
- Merrill's marauders — Fuller, Samuel — United States — 1961
- Shock corridor — Fuller, Samuel — United States — 1963
- The naked kiss — Fuller, Samuel — United States — 1963
- Tote taube in der Beethoven-Strasse (Dead pigeon on Beethoven Street) — Fuller, Samuel — Germany — 1972
- The big red one — Fuller, Samuel — United States — 1980
- White dog — Fuller, Samuel — United States — 1982
- Les voleurs de la nuit (Thieves after dark) — Fuller, Samuel — France — 1984
- Fuller frame by frame (Fuller at the Moviola) — Labarthe, André — France — 1987
- Street of no return — Fuller, Samuel — France; Portugal — 1989
- The typewriter, the rifle and the movie camera — Simon, Adam — United Kingdom Misc. Islands; Great Britain; United States — 1996
- Record type:
- document
- Document type:
- program note
- Publication date:
- 1996 Sep
- Document source:
- Pacific Film Archive
- Document contains:
- distribution co
- Number of pages:
- 5
- Related films:
-
- Ian Palach (Jan Palach) — Depardon, Raymond — France — 1969
- Tibesti too — Depardon, Raymond — France — 1976
- Numéros zéro — Depardon, Raymond — France — 1977
- Reporters — Depardon, Raymond — France — 1980
- Dix minutes de silence pour John Lennon (Ten minutes of silence for John Lennon) — Depardon, Raymond — France — 1980
- San Clemente — Depardon, Raymond; Ristelhueber, Sophie — France — 1982
- Faits divers — Depardon, Raymond — France — 1983
- Les années declic (The declic years) — Depardon, Raymond — France — 1984
- Une femme en Afrique (Empty quarter) — Depardon, Raymond — France — 1985
- Urgences (Emergencies) — Depardon, Raymond — France — 1987
- La captive du désert (Captive of the desert) — Depardon, Raymond — France — 1989
- Contacts — Depardon, Raymond — France — 1990
- Carthagena — Depardon, Raymond — France — 1991
- Délits flagrants (Caught in the act) — Depardon, Raymond — France — 1994
- Montage — Depardon, Raymond — France — No year known