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- Record type:
- document
- Document type:
- program note
- Document author(s):
- Paul Willemen
- Publication date:
- 1978 Sep
- Document source:
- National Film Theatre (London, England)
- Document contains:
- production co
- Number of pages:
- 5
- Related films:
-
- Die lachende erben (The happy heirs) — Ophüls, Max — Germany — 1931
- Die verliebte firma (The company's in love) — Ophüls, Max — Germany — 1931
- Die verkaufte braut (The bartered bride) — Ophüls, Max — Germany — 1932
- Liebelei (Flirtation) — Ophüls, Max — Germany — 1933
- Une histoire d'amour — Ophüls, Max — France — 1933
- La signora di tutti — Ophüls, Max — Italy — 1934
- Divine — Ophüls, Max — France — 1935
- La tendre ennemie (The tender enemy) — Ophüls, Max — France — 1936
- Komedie om geld (The trouble with money) — Ophüls, Max — Netherlands — 1936
- Yoshiwara — Ophüls, Max — France — 1937
- Werther — Ophüls, Max — France — 1938
- Sans lendemain — Ophüls, Max — France — 1939
- De Mayerling à Sarajevo — Ophüls, Max — France — 1940
- The exile — Ophüls, Max — United States — 1947
- Letter from an unknown woman — Ophüls, Max — United States — 1948
- The reckless moment — Ophüls, Max — United States — 1949
- Caught — Ophüls, Max — United States — 1949
- La ronde — Ophüls, Max — France — 1950
- Le plaisir — Ophüls, Max — France — 1951
- Madame de... (The earrings of Madame de...) — Ophüls, Max — France; Italy — 1953
- Lola Montès — Ophüls, Max — France; Germany — 1955
- Record type:
- document
- Document type:
- monograph
- Document author(s):
- Richard Roud
- Publication date:
- 1958
- Document source:
- British Film Institute
- Document contains:
- bibliography, box info, cost info, filmography, and production co
- Number of pages:
- 24
- Related films:
-
- Dann schon lieber Lebertran (I'd rather have cod liver oil) — Ophüls, Max — Germany — 1930
- Die lachende erben (The happy heirs) — Ophüls, Max — Germany — 1931
- Die verliebte firma (The company's in love) — Ophüls, Max — Germany — 1931
- Die verkaufte braut (The bartered bride) — Ophüls, Max — Germany — 1932
- Liebelei (Flirtation) — Ophüls, Max — Germany — 1933
- On a volé un homme (Man stolen) — Ophüls, Max — France — 1933
- Une histoire d'amour — Ophüls, Max — France — 1933
- La signora di tutti — Ophüls, Max — Italy — 1934
- Divine — Ophüls, Max — France — 1935
- La tendre ennemie (The tender enemy) — Ophüls, Max — France — 1936
- Komedie om geld (The trouble with money) — Ophüls, Max — Netherlands — 1936
- La valse brillante — Ophüls, Max — France — 1936
- Ave maria — Ophüls, Max — France — 1936
- Yoshiwara — Ophüls, Max — France — 1937
- Werther — Ophüls, Max — France — 1938
- Sans lendemain — Ophüls, Max — France — 1939
- L'ecole des femmes — Ophüls, Max — Switzerland — 1940
- De Mayerling à Sarajevo — Ophüls, Max — France — 1940
- Vendetta — Ferrer, Mel; Ophüls, Max — United States — 1946
- The exile — Ophüls, Max — United States — 1947
- Letter from an unknown woman — Ophüls, Max — United States — 1948
- The reckless moment — Ophüls, Max — United States — 1949
- Caught — Ophüls, Max — United States — 1949
- La ronde — Ophüls, Max — France — 1950
- Le plaisir — Ophüls, Max — France — 1951
- Madame de... (The earrings of Madame de...) — Ophüls, Max — France; Italy — 1953
- Lola Montès — Ophüls, Max — France; Germany — 1955