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- Record type:
- document
- Document type:
- program
- Document author(s):
- David Thomson
- Publication date:
- September 2000
- Document source:
- National Film Theatre (London, England)
- Document contains:
- production co
- Number of pages:
- 8
- Related films:
-
- Die lachende erben (The happy heirs) — Ophüls, Max — Germany — 1931
- Die verliebte firma (The company's in love) — Ophüls, Max — Germany — 1931
- Die verkaufte braut (The bartered bride) — Ophüls, Max — Germany — 1932
- Liebelei (Flirtation) — Ophüls, Max — Germany — 1933
- La signora di tutti — Ophüls, Max — Italy — 1934
- Divine — Ophüls, Max — France — 1935
- La tendre ennemie (The tender enemy) — Ophüls, Max — France — 1936
- Komedie om geld (The trouble with money) — Ophüls, Max — Netherlands — 1936
- La valse brillante — Ophüls, Max — France — 1936
- Ave maria — Ophüls, Max — France — 1936
- Yoshiwara — Ophüls, Max — France — 1937
- Le roman de Werther (The novel of Werther) — Ophüls, Max — France — 1938
- Sans lendemain — Ophüls, Max — France — 1939
- De Mayerling à Sarajevo — Ophüls, Max — France — 1940
- Phantom lady — Siodmak, Robert — United States — 1944
- The exile — Ophüls, Max — United States — 1947
- Letter from an unknown woman — Ophüls, Max — United States — 1948
- The reckless moment — Ophüls, Max — United States — 1949
- Caught — Ophüls, Max — United States — 1949
- La ronde — Ophüls, Max — France — 1950
- Le plaisir — Ophüls, Max — France — 1951
- Madame de... (The earrings of Madame de...) — Ophüls, Max — France; Italy — 1953
- Lola Montès — Ophüls, Max — France; Germany — 1955
- Record type:
- document
- Document type:
- article
- Document author(s):
- Ludwig Gesek
- Publication date:
- 1955
- Document source:
- Filmkunst - Zeitschrift für Filmkultur und Filmwissenschaft
- Document contains:
- bibliography, box info, cost info, filmography, and production co
- Number of pages:
- 14
- Related films:
-
- Im banne der kralle — Froelich, Carl — Austria — 1921
- Der taugenichts (The good for nothings) — Froelich, Carl — Germany — 1922
- Luise Millerin — Froelich, Carl — Germany — 1922
- Der schatz (The treasure) — Pabst, Georg Wilhelm — Germany — 1923
- Gräfin Donelli (Countess Donelli) — Pabst, Georg Wilhelm — Germany — 1924
- Die freudlose gasse (The joyless street) — Pabst, Georg Wilhelm — Germany — 1925
- Man spielt nicht mit der liebe (Don't play with love) — Pabst, Georg Wilhelm — Germany — 1926
- Geheimnisse einer seele (Secrets of a soul) — Pabst, Georg Wilhelm — Germany — 1926
- Die liebe der Jeanne Ney (The love of Jeanne Ney) — Pabst, Georg Wilhelm — Germany — 1927
- Abwege (Crisis) — Pabst, Georg Wilhelm — Germany — 1928
- Die büchse der Pandora (Pandora's box) — Pabst, Georg Wilhelm — Germany — 1929
- Das tagebuch einer verlorenen (Diary of a lost girl) — Pabst, Georg Wilhelm — Germany — 1929
- Die weisse hölle vom Piz Palu (The white hell of Pitz Palu) — Fanck, Arnold; Pabst, Georg Wilhelm — Germany — 1929
- Westfront 1918 — Pabst, Georg Wilhelm — Germany — 1930
- Skandal um Eva (Scandalous Eva) — Pabst, Georg Wilhelm — Germany — 1930
- Kameradschaft (Comradeship) — Pabst, Georg Wilhelm — Germany — 1931
- Die dreigroschenoper (The threepenny opera) — Pabst, Georg Wilhelm — Germany — 1931
- L'Atlantide (The mistress of Atlantis) — Pabst, Georg Wilhelm — France — 1932
- Don Quichotte (Don Quixote) — Pabst, Georg Wilhelm — France — 1933
- Du haut en bas (High and low) — Pabst, Georg Wilhelm — France — 1933
- A modern hero — Pabst, Georg Wilhelm — United States — 1934
- Mademoiselle Docteur — Pabst, Georg Wilhelm — France — 1936
- Le drame de Shanghai (Shanghai drama) — Pabst, Georg Wilhelm — France — 1938
- Jeunes filles en détresse — Pabst, Georg Wilhelm — France — 1939
- Komödianten — Pabst, Georg Wilhelm — Germany — 1941
- Paracelsus — Pabst, Georg Wilhelm — Germany — 1943
- Der fall Molander — Pabst, Georg Wilhelm — Germany — 1944
- Der prozess (The trial) — Pabst, Georg Wilhelm — Austria — 1947
- Geheimnisvolle tiefe (Mysterious shadows) — Pabst, Georg Wilhelm — Austria — 1949
- La conciencia acusa (The voice of silence) — Pabst, Georg Wilhelm — Italy; France — 1952
- Cose da pazzi — Pabst, Georg Wilhelm — Italy — 1953
- Das bekenntnis der Ina Kahr (The confession of Ina Kahr) — Pabst, Georg Wilhelm — Germany — 1954
- Der letzte akt (The last ten days) — Pabst, Georg Wilhelm — Germany; Austria — 1955
- Es geschah am 20. Juli (Jackboot mutiny) — Pabst, Georg Wilhelm — Germany — 1955
- Rosen für Bettina (Ballerina) — Pabst, Georg Wilhelm — Germany — 1956
- Record type:
- document
- Document type:
- program note
- Document author(s):
- Ulrike Rainer
- Publication date:
- 1988 Sep 24
- Document source:
- Hopkins Center of Dartmouth College
- Document contains:
- bibliography, box info, and production co
- Number of pages:
- 23
- Related films:
-
- Hets (Torment) — Sjöberg, Alf — Sweden — 1944
- Hamnstad (Port of call) — Bergman, Ingmar — Sweden — 1948
- Törst (Three strange loves) — Bergman, Ingmar — Sweden — 1949
- Sommarlek (Summer interlude) — Bergman, Ingmar — Sweden — 1951
- Kvinnors väntan (Secrets of women) — Bergman, Ingmar — Sweden — 1952
- Sommaren med Monika (Summer with Monika) — Bergman, Ingmar — Sweden — 1953
- Gycklarnas afton (Sawdust and tinsel) — Bergman, Ingmar — Sweden — 1953
- En lektion i kärlek (A lesson in love) — Bergman, Ingmar — Sweden — 1954
- Kvinnodröm (Dreams) — Bergman, Ingmar — Sweden — 1955
- Sommarnattens leende (Smiles of a summer night) — Bergman, Ingmar — Sweden — 1955
- Det sjunde inseglet (The seventh seal) — Bergman, Ingmar — Sweden — 1957
- Smultronstället (Wild strawberries) — Bergman, Ingmar — Sweden — 1957
- Ansiktet (The magician) — Bergman, Ingmar — Sweden — 1958
- Nära livet (Brink of life) — Bergman, Ingmar — Sweden — 1958
- Jungfrukällan (The virgin spring) — Bergman, Ingmar — Sweden — 1960
- Djävulens öga (The devil's eye) — Bergman, Ingmar — Sweden — 1960
- Såsom i en spegel (Through a glass, darkly) — Bergman, Ingmar — Sweden — 1961
- Nattvardsgästerna (Winter light) — Bergman, Ingmar — Sweden — 1962
- Tystnaden (The silence) — Bergman, Ingmar — Sweden — 1963
- För att inte tala om alla dessa kvinnor (All these women) — Bergman, Ingmar — Sweden — 1964
- Persona — Bergman, Ingmar — Sweden — 1966
- Skammen (Shame) — Bergman, Ingmar — Sweden — 1968
- Vargtimmen (Hour of the wolf) — Bergman, Ingmar — Sweden — 1968
- Riten (The rite) — Bergman, Ingmar — Sweden — 1969
- En passion (The passion of Anna) — Bergman, Ingmar — Sweden — 1969
- Beröringen (The touch) — Bergman, Ingmar — Sweden — 1971
- Viskningar och rop (Cries and whispers) — Bergman, Ingmar — Sweden — 1972
- Ingmar Bergman — Björkman, Stig — Sweden — 1973
- Scener ur ett äktenskap (Scenes from a marriage) — Bergman, Ingmar — Sweden — 1974
- Trollflöjten (The magic flute) — Bergman, Ingmar — Sweden — 1975
- Ansikte mot ansikte (Face to face) — Bergman, Ingmar — Sweden — 1976
- The serpent's egg — Bergman, Ingmar — Germany; United States — 1977
- Höstsonaten (Autumn sonata) — Bergman, Ingmar — Germany; Norway; Sweden — 1978
- Aus dem leben der marionetten (From the life of the marionettes) — Bergman, Ingmar — Sweden; Germany — 1980
- Fanny och Alexander (Fanny and Alexander) — Bergman, Ingmar — Sweden; France; Germany — 1982
- Efter repetitionen (After the rehearsal) — Bergman, Ingmar — Sweden — 1984
- Record type:
- document
- Document type:
- distributor materials
- Document source:
- Films Distribution
- Document contains:
- bibliography, box info, distribution co, and production co
- Number of pages:
- 4
- Related films:
-
- Record type:
- document
- Document type:
- program note
- Document author(s):
- Román Gubern
- Publication date:
- 2009
- Document source:
- Institut Valencià de l'Audiovisual i de Cinematografia Ricardo Muñoz Suay
- Document contains:
- bibliography, box info, cost info, and production co
- Number of pages:
- 2
- Related films:
-
- Soigne ton gauche (Watch your left) — Clément, René; Tati, Jacques — France — 1936
- L'École des facteurs — Tati, Jacques — France — 1947
- Jour de fête (Holiday) — Tati, Jacques — France — 1949
- Les vacances de Monsieur Hulot (Mr. Hulot's holiday) — Tati, Jacques — France — 1953
- Mon oncle (My uncle) — Tati, Jacques — France; Italy — 1958
- Playtime — Tati, Jacques — France; Italy — 1967
- Cours du soir — Rybowski, Nicolas — France — 1967
- Trafic (Traffic) — Tati, Jacques — France; Italy — 1971
- Parade — Tati, Jacques — France; Sweden — 1974
- Record type:
- document
- Document type:
- program note
- Document author(s):
- Chris Peachment
- Number of pages:
- 4
- Related films:
-
- Le silence de la mer (The silence of the sea) — Melville, Jean-Pierre — France — 1947
- The set-up — Wise, Robert — United States — 1949
- Les enfants terribles (The strange ones) — Melville, Jean-Pierre — France — 1949
- Orphée — Cocteau, Jean — France — 1950
- The asphalt jungle — Huston, John — United States — 1950
- Le journal d'un curé de campagne (Diary of a country priest) — Bresson, Robert — France — 1951
- Quand tu liras cette lettre (When you read this letter) — Melville, Jean-Pierre — France — 1953
- Touchez pas au grisbi (Grisbi) — Becker, Jacques — France — 1954
- Du rififi chez les hommes (Rififi) — Dassin, Jules — France — 1955
- Bob le flambeur (Bob the gambler) — Melville, Jean-Pierre — France — 1956
- Deux hommes dans Manhattan (Two men in Manhattan) — Melville, Jean-Pierre — France — 1958
- À bout de souffle (Breathless) — Godard, Jean Luc — France — 1959
- Le trou (The hole) — Becker, Jacques — France; Italy — 1960
- Léon Morin, prêtre (Leon Morin, priest) — Melville, Jean-Pierre — France — 1961
- Le doulos (The finger man) — Melville, Jean-Pierre — France; Italy — 1962
- L'Ainé des ferchaux (The magnet of doom) — Melville, Jean-Pierre — France; Italy — 1963
- Le deuxième souffle (Second breath) — Melville, Jean-Pierre — France — 1965
- Point blank — Boorman, John — No country known — 1967
- Le samouraï (The godson) — Melville, Jean-Pierre — France; Italy — 1967
- L'armee des ombres (Army of shadows) — Melville, Jean-Pierre — France — 1969
- Le chagrin et la pitié (The sorrow and the pity) — Ophüls, Marcel — France; Germany; Switzerland — 1969
- Le cercle rouge (The red circle) — Melville, Jean-Pierre — France — 1970
- Un flic (Dirty money) — Melville, Jean-Pierre — France — 1972
- The Driver — Hill, Walter — No country known — 1978
- La mort en direct (Death watch) — Tavernier, Bertrand — France; Germany — 1979
- Thief — Mann, Michael — No country known — 1981
- An Unsuitable job for a woman — Petit, Chris — No country known — 1982
- Record type:
- document
- Document type:
- program
- Document author(s):
- Chris Peachment
- Publication date:
- March 1983
- Document source:
- National Film Theatre (London, England)
- Document contains:
- production co
- Number of pages:
- 8
- Related films:
-
- Le silence de la mer (The silence of the sea) — Melville, Jean-Pierre — France — 1947
- The set-up — Wise, Robert — United States — 1949
- Les enfants terribles (The strange ones) — Melville, Jean-Pierre — France — 1949
- Orphée — Cocteau, Jean — France — 1950
- The asphalt jungle — Huston, John — United States — 1950
- Le journal d'un curé de campagne (Diary of a country priest) — Bresson, Robert — France — 1951
- Quand tu liras cette lettre (When you read this letter) — Melville, Jean-Pierre — France — 1953
- Touchez pas au grisbi (Grisbi) — Becker, Jacques — France — 1954
- Du rififi chez les hommes (Rififi) — Dassin, Jules — France — 1955
- Bob le flambeur (Bob the gambler) — Melville, Jean-Pierre — France — 1956
- Deux hommes dans Manhattan (Two men in Manhattan) — Melville, Jean-Pierre — France — 1958
- À bout de souffle (Breathless) — Godard, Jean Luc — France — 1959
- Le trou (The hole) — Becker, Jacques — France; Italy — 1960
- Léon Morin, prêtre (Leon Morin, priest) — Melville, Jean-Pierre — France — 1961
- Le doulos (The finger man) — Melville, Jean-Pierre — France; Italy — 1962
- L'Ainé des ferchaux (The magnet of doom) — Melville, Jean-Pierre — France; Italy — 1963
- Le deuxième souffle (Second breath) — Melville, Jean-Pierre — France — 1965
- Point blank — Boorman, John — No country known — 1967
- Le samouraï (The godson) — Melville, Jean-Pierre — France; Italy — 1967
- L'armee des ombres (Army of shadows) — Melville, Jean-Pierre — France — 1969
- Le chagrin et la pitié (The sorrow and the pity) — Ophüls, Marcel — France; Germany; Switzerland — 1969
- Le cercle rouge (The red circle) — Melville, Jean-Pierre — France — 1970
- Un flic (Dirty money) — Melville, Jean-Pierre — France — 1972
- The Driver — Hill, Walter — No country known — 1978
- La mort en direct (Death watch) — Tavernier, Bertrand — France; Germany — 1979
- Thief — Mann, Michael — No country known — 1981
- Painting chicago — Marle, Judy — No country known — 1982
- An Unsuitable job for a woman — Petit, Chris — No country known — 1982
- Howard Hodgkin in conversation with David Sylvester — Marle, Judy — No country known — 1982
- The filleting machine — Martin, Murray — Great Britain — 1982
- Record type:
- document
- Document type:
- program note
- Document author(s):
- Paul Willemen
- Publication date:
- 1978 Sep
- Document source:
- National Film Theatre (London, England)
- Document contains:
- production co
- Number of pages:
- 5
- Related films:
-
- Die lachende erben (The happy heirs) — Ophüls, Max — Germany — 1931
- Die verliebte firma (The company's in love) — Ophüls, Max — Germany — 1931
- Die verkaufte braut (The bartered bride) — Ophüls, Max — Germany — 1932
- Liebelei (Flirtation) — Ophüls, Max — Germany — 1933
- Une histoire d'amour — Ophüls, Max — France — 1933
- La signora di tutti — Ophüls, Max — Italy — 1934
- Divine — Ophüls, Max — France — 1935
- La tendre ennemie (The tender enemy) — Ophüls, Max — France — 1936
- Komedie om geld (The trouble with money) — Ophüls, Max — Netherlands — 1936
- Yoshiwara — Ophüls, Max — France — 1937
- Werther — Ophüls, Max — France — 1938
- Sans lendemain — Ophüls, Max — France — 1939
- De Mayerling à Sarajevo — Ophüls, Max — France — 1940
- The exile — Ophüls, Max — United States — 1947
- Letter from an unknown woman — Ophüls, Max — United States — 1948
- The reckless moment — Ophüls, Max — United States — 1949
- Caught — Ophüls, Max — United States — 1949
- La ronde — Ophüls, Max — France — 1950
- Le plaisir — Ophüls, Max — France — 1951
- Madame de... (The earrings of Madame de...) — Ophüls, Max — France; Italy — 1953
- Lola Montès — Ophüls, Max — France; Germany — 1955
- Record type:
- document
- Document type:
- monograph
- Document author(s):
- Richard Roud
- Publication date:
- 1958
- Document source:
- British Film Institute
- Document contains:
- bibliography, box info, cost info, filmography, and production co
- Number of pages:
- 24
- Related films:
-
- Dann schon lieber Lebertran (I'd rather have cod liver oil) — Ophüls, Max — Germany — 1930
- Die lachende erben (The happy heirs) — Ophüls, Max — Germany — 1931
- Die verliebte firma (The company's in love) — Ophüls, Max — Germany — 1931
- Die verkaufte braut (The bartered bride) — Ophüls, Max — Germany — 1932
- Liebelei (Flirtation) — Ophüls, Max — Germany — 1933
- On a volé un homme (Man stolen) — Ophüls, Max — France — 1933
- Une histoire d'amour — Ophüls, Max — France — 1933
- La signora di tutti — Ophüls, Max — Italy — 1934
- Divine — Ophüls, Max — France — 1935
- La tendre ennemie (The tender enemy) — Ophüls, Max — France — 1936
- Komedie om geld (The trouble with money) — Ophüls, Max — Netherlands — 1936
- La valse brillante — Ophüls, Max — France — 1936
- Ave maria — Ophüls, Max — France — 1936
- Yoshiwara — Ophüls, Max — France — 1937
- Werther — Ophüls, Max — France — 1938
- Sans lendemain — Ophüls, Max — France — 1939
- L'ecole des femmes — Ophüls, Max — Switzerland — 1940
- De Mayerling à Sarajevo — Ophüls, Max — France — 1940
- Vendetta — Ferrer, Mel; Ophüls, Max — United States — 1946
- The exile — Ophüls, Max — United States — 1947
- Letter from an unknown woman — Ophüls, Max — United States — 1948
- The reckless moment — Ophüls, Max — United States — 1949
- Caught — Ophüls, Max — United States — 1949
- La ronde — Ophüls, Max — France — 1950
- Le plaisir — Ophüls, Max — France — 1951
- Madame de... (The earrings of Madame de...) — Ophüls, Max — France; Italy — 1953
- Lola Montès — Ophüls, Max — France; Germany — 1955
- Record type:
- document
- Document type:
- program note
- Document author(s):
- Judy Bloch
- Publication date:
- 1999 Sep
- Document source:
- Pacific Film Archive
- Document contains:
- bibliography and box info
- Number of pages:
- 8
- Related films:
-
- Die lachende erben (The happy heirs) — Ophüls, Max — Germany — 1931
- Die verliebte firma (The company's in love) — Ophüls, Max — Germany — 1931
- Die verkaufte braut (The bartered bride) — Ophüls, Max — Germany — 1932
- Liebelei (Flirtation) — Ophüls, Max — Germany — 1933
- La signora di tutti — Ophüls, Max — Italy — 1934
- La tendre ennemie (The tender enemy) — Ophüls, Max — France — 1936
- Komedie om geld (The trouble with money) — Ophüls, Max — Netherlands — 1936
- Yoshiwara — Ophüls, Max — France — 1937
- Sans lendemain — Ophüls, Max — France — 1939
- De Mayerling à Sarajevo — Ophüls, Max — France — 1940
- Letter from an unknown woman — Ophüls, Max — United States — 1948
- The reckless moment — Ophüls, Max — United States — 1949
- Caught — Ophüls, Max — United States — 1949
- La ronde — Ophüls, Max — France — 1950
- Le plaisir — Ophüls, Max — France — 1951
- Madame de... (The earrings of Madame de...) — Ophüls, Max — France; Italy — 1953
- Lola Montès — Ophüls, Max — France; Germany — 1955