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2801. 'Ready to wear'

2802. 'Portrait of a Lady': it's Henry James, but not literally

2804. 'Partner' has double trouble

2805. 'Partner' childish film

2806. 'Open city' revisited

2807. 'Open city'

2809. 'Nostalghia,' in Italian

2812. 'Mondo cane'

2815. 'Mafioso'

2816. 'Luna': the last taboo

2819. 'La notte'

2821. 'Jesus of Montreal'

2822. 'Jesus of Montreal'

2823. 'Il grido' is impressive early Antonioni

2824. 'Idaho': the wonderful land of nod

2825. 'Idaho' walks a tightrope

2826. 'I vitelloni'

2827. 'Gun' fires some blanks

2828. 'Godfather, Part II' is hard to define

2829. 'Godfather' to open on time

2830. 'Godfather' plays to empty house

2831. 'Godfather' opens without him

2832. 'Godfather' is a brutal saga

2833. 'Godfather' casts long shadow

2834. 'Godfather III' invades Little Italy

2835. 'Godfather III' -- another family do

2836. 'Godfather II': best scenes of Cuba

2837. 'Godfather II': an expic expanded

2838. 'Godfather 2' is powerful drama

2839. 'Eros'

2840. 'Embarrass me more!'

2842. 'Don't look now'

2843. 'Don't Look Now' will scare you -- subtly

2844. 'Don't Look Now' is tantalizing mystery

2845. 'Don't Look Now' at Sutton

2846. 'Dear Antonioni...' : the complete works of Michelangelo Antonioni

2849. 'Beauty' trailer banned

2850. 'Beauty' is a joy to behold