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- Record type:
- document
- Document type:
- program
- Publication date:
- 1/1/1956
- Document source:
- Berkeley Cinema Guild
- Document contains:
- production co
- Number of pages:
- 3
- Related films:
-
- Das cabinet des Dr. Caligari (The cabinet of Dr. Caligari) — Wiene, Robert — Germany — 1920
- La règle du jeu (The rules of the game) — Renoir, Jean — France — 1939
- The magnificent Ambersons — Welles, Orson; Wise, Robert; Fleck, Fred — United States — 1942
- Panique (Panic) — Duvivier, Julien — France — 1946
- Louisiana story — Flaherty, Robert — United States — 1948
- Madame de... (The earrings of Madame de...) — Ophüls, Max — France; Italy — 1953
- Record type:
- document
- Document type:
- program
- Document author(s):
- Edward Landberg
- Publication date:
- 5/1/1965
- Document source:
- Berkeley Cinema Guild
- Document contains:
- production co
- Number of pages:
- 4
- Related films:
-
- Belle of the nineties — McCarey, Leo — No country known — 1934
- Hakuchi (The idiot) — Kurosawa, Akira — Japan — 1951
- Odds against tomorrow — Wise, Robert — United States — 1959
- Harakiri — Kobayashi, Masaki — Japan — 1962
- The Loneliness of the long distance runner — Richardson, Tony — No country known — 1962
- Chushingura (Forty-seven ronin) — Inagaki, Hiroshi — Japan — 1962
- Landru (Bluebeard) — Chabrol, Claude — France — 1962
- Record type:
- document
- Document type:
- program note
- Document author(s):
- James Quandt
- Publication date:
- 2000 Mar 09
- Document source:
- Cinematheque Ontario/a division of Toronto International Film Festival Group
- Document contains:
- production co
- Number of pages:
- 6
- Related films:
-
- Citizen Kane — Welles, Orson — United States — 1941
- Journey into fear — Welles, Orson; Foster, Norman — United States — 1942
- The magnificent Ambersons — Welles, Orson; Wise, Robert; Fleck, Fred — United States — 1942
- The stranger — Welles, Orson — United States — 1946
- The lady from Shanghai — Welles, Orson — United States — 1948
- Macbeth — Welles, Orson — United States — 1948
- Othello — Welles, Orson — Morocco; United States — 1952
- Mr. Arkadin — Welles, Orson — Spain; France; Great Britain; United States — 1955
- Touch of evil — Welles, Orson — United States — 1958
- The trial — Welles, Orson — France; Germany; Italy — 1962
- Chimes at midnight — Welles, Orson — Spain; Switzerland — 1966
- Une histoire immortelle (The immortal story) — Welles, Orson — France — 1968
- F for fake — Welles, Orson — France; Iran — 1975
- Filming Othello — Welles, Orson — United States — 1978
- It's all true — Welles, Orson — United States; France — 1993
- Record type:
- document
- Document type:
- program note
- Document author(s):
- Chris Peachment
- Number of pages:
- 4
- Related films:
-
- Le silence de la mer (The silence of the sea) — Melville, Jean-Pierre — France — 1947
- The set-up — Wise, Robert — United States — 1949
- Les enfants terribles (The strange ones) — Melville, Jean-Pierre — France — 1949
- Orphée — Cocteau, Jean — France — 1950
- The asphalt jungle — Huston, John — United States — 1950
- Le journal d'un curé de campagne (Diary of a country priest) — Bresson, Robert — France — 1951
- Quand tu liras cette lettre (When you read this letter) — Melville, Jean-Pierre — France — 1953
- Touchez pas au grisbi (Grisbi) — Becker, Jacques — France — 1954
- Du rififi chez les hommes (Rififi) — Dassin, Jules — France — 1955
- Bob le flambeur (Bob the gambler) — Melville, Jean-Pierre — France — 1956
- Deux hommes dans Manhattan (Two men in Manhattan) — Melville, Jean-Pierre — France — 1958
- À bout de souffle (Breathless) — Godard, Jean Luc — France — 1959
- Le trou (The hole) — Becker, Jacques — France; Italy — 1960
- Léon Morin, prêtre (Leon Morin, priest) — Melville, Jean-Pierre — France — 1961
- Le doulos (The finger man) — Melville, Jean-Pierre — France; Italy — 1962
- L'Ainé des ferchaux (The magnet of doom) — Melville, Jean-Pierre — France; Italy — 1963
- Le deuxième souffle (Second breath) — Melville, Jean-Pierre — France — 1965
- Point blank — Boorman, John — No country known — 1967
- Le samouraï (The godson) — Melville, Jean-Pierre — France; Italy — 1967
- L'armee des ombres (Army of shadows) — Melville, Jean-Pierre — France — 1969
- Le chagrin et la pitié (The sorrow and the pity) — Ophüls, Marcel — France; Germany; Switzerland — 1969
- Le cercle rouge (The red circle) — Melville, Jean-Pierre — France — 1970
- Un flic (Dirty money) — Melville, Jean-Pierre — France — 1972
- The Driver — Hill, Walter — No country known — 1978
- La mort en direct (Death watch) — Tavernier, Bertrand — France; Germany — 1979
- Thief — Mann, Michael — No country known — 1981
- An Unsuitable job for a woman — Petit, Chris — No country known — 1982
- Record type:
- document
- Document type:
- program note
- Document author(s):
- Judy Bloch
- Publication date:
- 1996 May
- Document source:
- Pacific Film Archive
- Document contains:
- bibliography, box info, and distribution co
- Number of pages:
- 8
- Related films:
-
- Le silence de la mer (The silence of the sea) — Melville, Jean-Pierre — France — 1947
- The set-up — Wise, Robert — United States — 1949
- Les enfants terribles (The strange ones) — Melville, Jean-Pierre — France — 1949
- Orphée — Cocteau, Jean — France — 1950
- The asphalt jungle — Huston, John — United States — 1950
- Le journal d'un curé de campagne (Diary of a country priest) — Bresson, Robert — France — 1951
- Bob le flambeur (Bob the gambler) — Melville, Jean-Pierre — France — 1956
- Deux hommes dans Manhattan (Two men in Manhattan) — Melville, Jean-Pierre — France — 1958
- À bout de souffle (Breathless) — Godard, Jean Luc — France — 1959
- Léon Morin, prêtre (Leon Morin, priest) — Melville, Jean-Pierre — France — 1961
- Le doulos (The finger man) — Melville, Jean-Pierre — France; Italy — 1962
- Le deuxième souffle (Second breath) — Melville, Jean-Pierre — France — 1965
- Point blank — Boorman, John — No country known — 1967
- Le samouraï (The godson) — Melville, Jean-Pierre — France; Italy — 1967
- L'armee des ombres (Army of shadows) — Melville, Jean-Pierre — France — 1969
- Le cercle rouge (The red circle) — Melville, Jean-Pierre — France — 1970
- Un flic (Dirty money) — Melville, Jean-Pierre — France — 1972
- The Driver — Hill, Walter — No country known — 1978
- Record type:
- document
- Document type:
- program note
- Document author(s):
- Philip Strick
- Document source:
- National Film Theatre (London, England)
- Document contains:
- production co
- Number of pages:
- 7
- Related films:
-
- Citizen Kane — Welles, Orson — United States — 1941
- Journey into fear — Welles, Orson; Foster, Norman — United States — 1942
- The magnificent Ambersons — Welles, Orson; Wise, Robert; Fleck, Fred — United States — 1942
- Jane eyre — Stevenson, Robert — No country known — 1944
- The stranger — Welles, Orson — United States — 1946
- The lady from Shanghai — Welles, Orson — United States — 1948
- Macbeth — Welles, Orson — United States — 1948
- The third man — Reed, Carol — Great Britain — 1949
- Othello — Welles, Orson — Morocco; United States — 1952
- Moby Dick — Huston, John — United States — 1956
- Touch of evil — Welles, Orson — United States — 1958
- Compulsion — Fleischer, Richard — United States — 1959
- The trial — Welles, Orson — France; Germany; Italy — 1962
- Chimes at midnight — Welles, Orson — Spain; Switzerland — 1966
- I'll never forget what's 'is name — Winner, Michael — No country known — 1967
- Une histoire immortelle (The immortal story) — Welles, Orson — France — 1968
- La décade prodigieuse (Ten days' wonder) — Chabrol, Claude — France — 1971
- F for fake — Welles, Orson — France; Iran — 1975
- Record type:
- document
- Document type:
- press release
- Publication date:
- 01/01/1974
- Document source:
- Berkeley Art Museum/Pacific Film Archive
- Number of pages:
- 6
- Related films:
-
- The grapes of wrath — Ford, John — United States — 1940
- The magnificent Ambersons — Welles, Orson; Wise, Robert; Fleck, Fred — United States — 1942
- Le journal d'une femme de chambre (Diary of a chambermaid) — Renoir, Jean — France — 1946
- Oliver Twist — Lean, David — Great Britain — 1948
- Outcast of the islands — Reed, Carol — Great Britain — 1952
- Le rouge et le noir (The red and the black) — Autant-Lara, Claude — France — 1954
- The trial — Welles, Orson — France; Germany; Italy — 1962
- Le journal d'une femme de chambre (The diary of a chambermaid) — Buñuel, Luis — France; Italy — 1964
- La religieuse (The nun) — Rivette, Jacques — France — 1967
- Une histoire immortelle (The immortal story) — Welles, Orson — France — 1968
- The Rocking horse winner — Bierman, Robert — No country known — 1982
9. Orson Welles
- Record type:
- document
- Document type:
- article
- Document author(s):
- Andrew Sarris
- Publication date:
- 1988 Nov
- Document source:
- American Film
- Document contains:
- production co
- Number of pages:
- 3
- Related films:
-
- Citizen Kane — Welles, Orson — United States — 1941
- The magnificent Ambersons — Welles, Orson; Wise, Robert; Fleck, Fred — United States — 1942
- The stranger — Welles, Orson — United States — 1946
- The lady from Shanghai — Welles, Orson — United States — 1948
- Macbeth — Welles, Orson — United States — 1948
- The third man — Reed, Carol — Great Britain — 1949
- Touch of evil — Welles, Orson — United States — 1958
- The trial — Welles, Orson — France; Germany; Italy — 1962
- Citizen welles — Dawson, Michael — No country known — 1988
- Record type:
- document
- Document type:
- program note
- Publication date:
- 2008 Nov
- Document source:
- Harvard Film Archive
- Document contains:
- bibliography and production co
- Number of pages:
- 1
- Related films:
-
- The magnificent Ambersons — Welles, Orson; Wise, Robert; Fleck, Fred — United States — 1942
- Othello — Welles, Orson — Morocco; United States — 1952
- Chimes at midnight — Welles, Orson — Spain; Switzerland — 1966
- It's all true — Welles, Orson — United States; France — 1993