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- Record type:
- document
- Document type:
- article
- Document author(s):
- Raymond Bellour
- Publication date:
- 1977
- Document source:
- Camera obscura
- Document contains:
- production co
- Number of pages:
- 13
- Related films:
-
- Shadow of a doubt — Hitchcock, Alfred — United States — 1943
- Rope — Hitchcock, Alfred — United States — 1948
- Strangers on a train — Hitchcock, Alfred — United States — 1951
- I confess — Hitchcock, Alfred — United States — 1953
- Rear window — Hitchcock, Alfred — United States — 1954
- Dial M for murder — Hitchcock, Alfred — United States — 1954
- Vertigo — Hitchcock, Alfred — United States — 1958
- North by northwest — Hitchcock, Alfred — United States — 1959
- Psycho — Hitchcock, Alfred — United States — 1960
- The birds — Hitchcock, Alfred — United States — 1963
- Marnie — Hitchcock, Alfred — United States — 1964
- Record type:
- document
- Document type:
- program note
- Publication date:
- 1992 Feb 29
- Document source:
- Stanford Theatre
- Document contains:
- bibliography, box info, filmography, and production co
- Number of pages:
- 4
- Related films:
-
- Rebecca — Hitchcock, Alfred — United States — 1940
- Foreign correspondent — Hitchcock, Alfred — United States — 1940
- Saboteur — Hitchcock, Alfred — United States — 1942
- Shadow of a doubt — Hitchcock, Alfred — United States — 1943
- Lifeboat — Hitchcock, Alfred — United States — 1944
- The Paradine case — Hitchcock, Alfred — United States — 1947
- Rope — Hitchcock, Alfred — United States — 1948
- Stage fright — Hitchcock, Alfred — England — 1950
- Strangers on a train — Hitchcock, Alfred — United States — 1951
- I confess — Hitchcock, Alfred — United States — 1953
- Rear window — Hitchcock, Alfred — United States — 1954
- Dial M for murder — Hitchcock, Alfred — United States — 1954
- To catch a thief — Hitchcock, Alfred — United States — 1955
- The trouble with Harry — Hitchcock, Alfred — United States — 1955
- The man who knew too much — Hitchcock, Alfred — United States — 1956
- The wrong man — Hitchcock, Alfred — United States — 1957
- Vertigo — Hitchcock, Alfred — United States — 1958
- North by northwest — Hitchcock, Alfred — United States — 1959
- Psycho — Hitchcock, Alfred — United States — 1960
- The birds — Hitchcock, Alfred — United States — 1963
- Record type:
- document
- Document type:
- article
- Document author(s):
- Fred Camper
- Publication date:
- 2001
- Document source:
- Anthology Film Archives
- Number of pages:
- 5
- Related films:
-
- The End — Maclaine, Christopher — United States — 1953
- Beat — Maclaine, Christopher — United States — 1958
- Vertigo — Hitchcock, Alfred — United States — 1958
- Scotch Hop — Maclaine, Christopher — United States — 1959
- Record type:
- document
- Document type:
- flyer
- Document source:
- Film Society of Lincoln Center
- Document contains:
- distribution co and production co
- Number of pages:
- 1
- Related films:
-
- His girl Friday — Hawks, Howard — United States — 1940
- The Big sky — Hawks, Howard — No country known — 1952
- It should happen to you — Cukor, George Dewey — No country known — 1953
- Le carrosse d'or (The golden coach) — Renoir, Jean — France; Italy — 1953
- Johnny Guitar — Ray, Nicholas — United States — 1954
- Kiss me deadly — Aldrich, Robert — United States — 1955
- Lola Montès — Ophüls, Max — France; Germany — 1955
- Baby Doll — Kazan, Elia — United States — 1956
- Written on the wind — Sirk, Douglas — United States — 1956
- Giant — Stevens, George Jr. — No country known — 1956
- The Girl can't help it — Tashlin, Frank — No country known — 1956
- Touch of evil — Welles, Orson — United States — 1958
- Vertigo — Hitchcock, Alfred — United States — 1958
- Les quatre cents coups (The 400 blows) — Truffaut, François — France — 1959
- À bout de souffle (Breathless) — Godard, Jean Luc — France — 1959
- Tirez sur le pianiste (Shoot the piano player) — Truffaut, François — France — 1960
- Jules et Jim — Truffaut, François — France — 1962
- La peau douce (The soft skin) — Truffaut, François — France; Portugal — 1964
- Fahrenheit 451 — Truffaut, François — Great Britain — 1966
- La mariée était en noir (The bride wore black) — Truffaut, François — France; Italy — 1968
- Baisers volés (Stolen kisses) — Truffaut, François — France — 1968
- Ma nuit chez Maud (My night at Maud's) — Rohmer, Éric — France — 1969
- La sirène du Mississippi (Mississippi mermaid) — Truffaut, François — France; Italy — 1969
- L'enfant sauvage (The wild child) — Truffaut, François — France — 1969
- The Honeymoon killers — Kastle, Leonard — No country known — 1969
- Tristana — Buñuel, Luis — Spain; France; Italy — 1970
- Domicile conjugal (Bed and board) — Truffaut, François — France; Italy — 1970
- Les Deux anglaises et le continent (Two english girls) — Truffaut, François — France — 1971
- La nuit américaine (Day for night) — Truffaut, François — France; Italy — 1973
- L'Histoire d'Adèle H. (The story of Adele H) — Truffaut, François — France — 1975
- L'argent de poche (Small change) — Truffaut, François — France — 1976
- Casanova — Fellini, Federico — Italy — 1976
- Close encounters of the third kind — Spielberg, Steven — No country known — 1977
- L'Homme qui aimait les femmes (the Man who loved women) — Truffaut, François — France — 1977
- La chambre verte (The green room) — Truffaut, François — France — 1978
- L'Amour en fuite (Love on the run) — Truffaut, François — France — 1979
- Le dernier métro (The last metro) — Truffaut, François — France — 1980
- La femme d'à côté (The Woman next door) — Truffaut, François — France — 1981
- Vivement dimanche! (Confidentially yours) — Truffaut, François — France — 1983