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- Record type:
- document
- Document type:
- program note
- Document author(s):
- Kathleen Murphy
- Publication date:
- 1992 Oct
- Document source:
- Film Society of Lincoln Center
- Document contains:
- production co
- Number of pages:
- 5
- Related films:
- Cronaca di un amore (Story of a love affair) — Antonioni, Michelangelo — Italy — 1950
- Amore in città (Love in the city) — Antonioni, Michelangelo; Fellini, Federico; Lattuada, Alberto; Lizzani, Carlo; Maselli, Francesco; Risi, Dino; Zavattini, Cesare — Italy — 1953
- La signora senza camelie (The lady without camelias) — Antonioni, Michelangelo — Italy; France — 1953
- I vinti (The vanquished) — Antonioni, Michelangelo — Italy; France — 1953
- Tentato suicidio (When love fails) — Antonioni, Michelangelo — Italy — 1953
- Le amiche (The girl friends) — Antonioni, Michelangelo — Italy — 1955
- Il grido (The cry) — Antonioni, Michelangelo — Italy; United States — 1957
- L'avventura (The adventure) — Antonioni, Michelangelo — Italy; France — 1960
- La notte (The night) — Antonioni, Michelangelo — Italy; France — 1961
- L'eclisse (The eclipse) — Antonioni, Michelangelo — France; Italy — 1962
- Il deserto rosso (Red desert) — Antonioni, Michelangelo — Italy; France — 1964
- tre volti (Three faces of a woman) — Antonioni, Michelangelo; Bolognini, Mauro; Indovina, Franco — Italy — 1965
- Blowup — Antonioni, Michelangelo — Italy; Great Britain — 1966
- Zabriskie Point — Antonioni, Michelangelo — United States — 1970
- Chung kuo - Cina (China) — Antonioni, Michelangelo — Italy — 1972
- Professione: reporter (The passenger) — Antonioni, Michelangelo — Italy; France; Spain; United States — 1975
- Il mistero di Oberwald (The Oberwald mystery) — Antonioni, Michelangelo — Italy; Germany — 1981
- Record type:
- document
- Document type:
- article
- Document author(s):
- Bernardo Bertolucci
- Publication date:
- 1996 Jul
- Document source:
- Film Comment
- Document contains:
- production co
- Number of pages:
- 3
- Related films:
- Snow white and the seven dwarfs — Hand, David — No country known — 1937
- Cat people — Tourneur, Jacques — United States — 1942
- Gun crazy — Lewis, Joseph H. — United States — 1950
- Le plaisir — Ophüls, Max — France — 1951
- La signora senza camelie (The lady without camelias) — Antonioni, Michelangelo — Italy; France — 1953
- Taifû kurabu (Typhoon Club) — Sômai, Shinji — No country known — 1985
- Speed — de Bont, Jan — No country known — 1994
- Crash — Cronenberg, David — Canada — 1996
- Record type:
- document
- Document type:
- program
- Publication date:
- 1/1/1958
- Document source:
- Berkeley Cinema Guild
- Document contains:
- production co
- Number of pages:
- 5
- Related films:
- Poil de carotte — Duvivier, Julien — France — 1926
- Man of Aran — Flaherty, Robert — Great Britain — 1934
- Passport to pimlico — Cornelius, Henry — No country known — 1949
- The third man — Reed, Carol — Great Britain — 1949
- The river — Renoir, Jean — India; United States — 1951
- I vitelloni (The young and the passionate) — Fellini, Federico — Italy; France — 1953
- Record type:
- document
- Document type:
- program
- Publication date:
- 1/1/1963
- Document source:
- Berkeley Cinema Guild
- Document contains:
- production co
- Number of pages:
- 4
- Related films:
- Cluny Brown — Lubitsch, Ernst — United States — 1946
- Great expectations — Lean, David — No country known — 1946
- Sommaren med Monika (Summer with Monika) — Bergman, Ingmar — Sweden — 1953
- Du rififi chez les hommes (Rififi) — Dassin, Jules — France — 1955
- Record type:
- document
- Document type:
- program
- Publication date:
- 7/1/1956
- Document source:
- Berkeley Cinema Guild
- Document contains:
- production co
- Number of pages:
- 3
- Related films:
- The wizard of Oz — Fleming, Victor; Thorpe, Richard; Vidor, King — United States — 1939
- Jour de fête (Holiday) — Tati, Jacques — France — 1949
- The asphalt jungle — Huston, John — United States — 1950
- Bellissima — Visconti, Luchino — Italy — 1951
- Viva Zapata! — Kazan, Elia — United States — 1952
- Le carrosse d'or (The golden coach) — Renoir, Jean — France; Italy — 1953
- Record type:
- document
- Document type:
- program
- Publication date:
- 9/1/1962
- Document source:
- Berkeley Cinema Guild
- Document contains:
- production co
- Number of pages:
- 4
- Related films:
- The birth of a nation — Griffith, D. W. — United States — 1915
- Vampyr - der traum des Allan Grey (The vampire) — Dreyer, Carl Theodor — Germany; France — 1932
- Le carrosse d'or (The golden coach) — Renoir, Jean — France; Italy — 1953
- Kanal — Wajda, Andrzej — Poland — 1957
- À bout de souffle (Breathless) — Godard, Jean Luc — France — 1959
- L'avventura (The adventure) — Antonioni, Michelangelo — Italy; France — 1960
- Record type:
- document
- Document type:
- program
- Publication date:
- 9/1/1958
- Document source:
- Berkeley Cinema Guild
- Document contains:
- production co
- Number of pages:
- 5
- Related films:
- A nous la liberté (Freedom for us) — Clair, René — France — 1932
- Ugetsu monogatari (Ugetsu) — Mizoguchi, Kenji — Japan — 1953
- The barefoot contessa — Mankiewicz, Joseph L. — Italy; United States — 1954
- Crazed fruit (Affair in Kamakura) — Nakahira, Ko — Japan — 1956
- Invasion of the body snatchers — Siegel, Don — United States — 1956
- Richard III — Olivier, Laurence — Great Britain — 1956
- Record type:
- document
- Document type:
- program
- Document author(s):
- David Thomson
- Publication date:
- September 2000
- Document source:
- National Film Theatre (London, England)
- Document contains:
- production co
- Number of pages:
- 8
- Related films:
- Die lachende erben (The happy heirs) — Ophüls, Max — Germany — 1931
- Die verliebte firma (The company's in love) — Ophüls, Max — Germany — 1931
- Die verkaufte braut (The bartered bride) — Ophüls, Max — Germany — 1932
- Liebelei (Flirtation) — Ophüls, Max — Germany — 1933
- La signora di tutti — Ophüls, Max — Italy — 1934
- Divine — Ophüls, Max — France — 1935
- La tendre ennemie (The tender enemy) — Ophüls, Max — France — 1936
- Komedie om geld (The trouble with money) — Ophüls, Max — Netherlands — 1936
- La valse brillante — Ophüls, Max — France — 1936
- Ave maria — Ophüls, Max — France — 1936
- Yoshiwara — Ophüls, Max — France — 1937
- Le roman de Werther (The novel of Werther) — Ophüls, Max — France — 1938
- Sans lendemain — Ophüls, Max — France — 1939
- De Mayerling à Sarajevo — Ophüls, Max — France — 1940
- Phantom lady — Siodmak, Robert — United States — 1944
- The exile — Ophüls, Max — United States — 1947
- Letter from an unknown woman — Ophüls, Max — United States — 1948
- The reckless moment — Ophüls, Max — United States — 1949
- Caught — Ophüls, Max — United States — 1949
- La ronde — Ophüls, Max — France — 1950
- Le plaisir — Ophüls, Max — France — 1951
- Madame de... (The earrings of Madame de...) — Ophüls, Max — France; Italy — 1953
- Lola Montès — Ophüls, Max — France; Germany — 1955
- Record type:
- document
- Document type:
- review
- Document author(s):
- A. O. Scott
- Publication date:
- 2011 Nov 25
- Document source:
- New York Times
- Document contains:
- bibliography, box info, and production co
- Number of pages:
- 1
- Related films:
- I vitelloni (The young and the passionate) — Fellini, Federico — Italy; France — 1953
- Rebel without a cause — Ray, Nicholas — United States — 1955
- East of Eden — Kazan, Elia — United States — 1955
- Mean streets — Scorsese, Martin — No country known — 1973
- Guling jie shaonian sha ren shijian (A brighter summer day) — Yang Teh-Chang,; Yang Teh-ch'ang, — Taiwan, Province of China — 1991
- Yi Yi — Yang Teh-ch'ang, — Taiwan, Province of China; Japan — 2000
10. G.W. Pabst
- Record type:
- document
- Document type:
- article
- Document author(s):
- Ludwig Gesek
- Publication date:
- 1955
- Document source:
- Filmkunst - Zeitschrift für Filmkultur und Filmwissenschaft
- Document contains:
- bibliography, box info, cost info, filmography, and production co
- Number of pages:
- 14
- Related films:
- Im banne der kralle — Froelich, Carl — Austria — 1921
- Der taugenichts (The good for nothings) — Froelich, Carl — Germany — 1922
- Luise Millerin — Froelich, Carl — Germany — 1922
- Der schatz (The treasure) — Pabst, Georg Wilhelm — Germany — 1923
- Gräfin Donelli (Countess Donelli) — Pabst, Georg Wilhelm — Germany — 1924
- Die freudlose gasse (The joyless street) — Pabst, Georg Wilhelm — Germany — 1925
- Man spielt nicht mit der liebe (Don't play with love) — Pabst, Georg Wilhelm — Germany — 1926
- Geheimnisse einer seele (Secrets of a soul) — Pabst, Georg Wilhelm — Germany — 1926
- Die liebe der Jeanne Ney (The love of Jeanne Ney) — Pabst, Georg Wilhelm — Germany — 1927
- Abwege (Crisis) — Pabst, Georg Wilhelm — Germany — 1928
- Die büchse der Pandora (Pandora's box) — Pabst, Georg Wilhelm — Germany — 1929
- Das tagebuch einer verlorenen (Diary of a lost girl) — Pabst, Georg Wilhelm — Germany — 1929
- Die weisse hölle vom Piz Palu (The white hell of Pitz Palu) — Fanck, Arnold; Pabst, Georg Wilhelm — Germany — 1929
- Westfront 1918 — Pabst, Georg Wilhelm — Germany — 1930
- Skandal um Eva (Scandalous Eva) — Pabst, Georg Wilhelm — Germany — 1930
- Kameradschaft (Comradeship) — Pabst, Georg Wilhelm — Germany — 1931
- Die dreigroschenoper (The threepenny opera) — Pabst, Georg Wilhelm — Germany — 1931
- L'Atlantide (The mistress of Atlantis) — Pabst, Georg Wilhelm — France — 1932
- Don Quichotte (Don Quixote) — Pabst, Georg Wilhelm — France — 1933
- Du haut en bas (High and low) — Pabst, Georg Wilhelm — France — 1933
- A modern hero — Pabst, Georg Wilhelm — United States — 1934
- Mademoiselle Docteur — Pabst, Georg Wilhelm — France — 1936
- Le drame de Shanghai (Shanghai drama) — Pabst, Georg Wilhelm — France — 1938
- Jeunes filles en détresse — Pabst, Georg Wilhelm — France — 1939
- Komödianten — Pabst, Georg Wilhelm — Germany — 1941
- Paracelsus — Pabst, Georg Wilhelm — Germany — 1943
- Der fall Molander — Pabst, Georg Wilhelm — Germany — 1944
- Der prozess (The trial) — Pabst, Georg Wilhelm — Austria — 1947
- Geheimnisvolle tiefe (Mysterious shadows) — Pabst, Georg Wilhelm — Austria — 1949
- La conciencia acusa (The voice of silence) — Pabst, Georg Wilhelm — Italy; France — 1952
- Cose da pazzi — Pabst, Georg Wilhelm — Italy — 1953
- Das bekenntnis der Ina Kahr (The confession of Ina Kahr) — Pabst, Georg Wilhelm — Germany — 1954
- Der letzte akt (The last ten days) — Pabst, Georg Wilhelm — Germany; Austria — 1955
- Es geschah am 20. Juli (Jackboot mutiny) — Pabst, Georg Wilhelm — Germany — 1955
- Rosen für Bettina (Ballerina) — Pabst, Georg Wilhelm — Germany — 1956
- Record type:
- document
- Document type:
- exhibitor manual
- Publication date:
- 1965
- Document source:
- Hemisphere Pictures, Inc.
- Document contains:
- bibliography, distribution co, and production co
- Number of pages:
- 6
- Related films:
- Chase me Charlie — Reed, Langford — Great Britain — 1917
- La regina di Saba (The Queen of Sheba) — Francisci, Pietro — Italy — 1952
- Il sacco di Roma (The barbarians) — Cerio, Ferruccio — Italy — 1953
- Terror is a man — de Leon, Gerardo — Philippines; United States — 1959
- The scavengers (City of sin) — Cromwell, John — Philippines; United States — 1959
- The raiders of Leyte Gulf — Romero, Eddie — United States; Philippines — 1963
- Intramuros (The walls of hell) — de Leon, Gerardo; Romero, Eddie — Philippines; United States — 1964
- Bomb in the High Street — Bishop, Terry — Great Britain — 1964
- The ravagers — Romero, Eddie — Philippines; United States — 1965
- Record type:
- document
- Document type:
- program note
- Document author(s):
- Chris Peachment
- Number of pages:
- 4
- Related films:
- Le silence de la mer (The silence of the sea) — Melville, Jean-Pierre — France — 1947
- The set-up — Wise, Robert — United States — 1949
- Les enfants terribles (The strange ones) — Melville, Jean-Pierre — France — 1949
- Orphée — Cocteau, Jean — France — 1950
- The asphalt jungle — Huston, John — United States — 1950
- Le journal d'un curé de campagne (Diary of a country priest) — Bresson, Robert — France — 1951
- Quand tu liras cette lettre (When you read this letter) — Melville, Jean-Pierre — France — 1953
- Touchez pas au grisbi (Grisbi) — Becker, Jacques — France — 1954
- Du rififi chez les hommes (Rififi) — Dassin, Jules — France — 1955
- Bob le flambeur (Bob the gambler) — Melville, Jean-Pierre — France — 1956
- Deux hommes dans Manhattan (Two men in Manhattan) — Melville, Jean-Pierre — France — 1958
- À bout de souffle (Breathless) — Godard, Jean Luc — France — 1959
- Le trou (The hole) — Becker, Jacques — France; Italy — 1960
- Léon Morin, prêtre (Leon Morin, priest) — Melville, Jean-Pierre — France — 1961
- Le doulos (The finger man) — Melville, Jean-Pierre — France; Italy — 1962
- L'Ainé des ferchaux (The magnet of doom) — Melville, Jean-Pierre — France; Italy — 1963
- Le deuxième souffle (Second breath) — Melville, Jean-Pierre — France — 1965
- Point blank — Boorman, John — No country known — 1967
- Le samouraï (The godson) — Melville, Jean-Pierre — France; Italy — 1967
- L'armee des ombres (Army of shadows) — Melville, Jean-Pierre — France — 1969
- Le chagrin et la pitié (The sorrow and the pity) — Ophüls, Marcel — France; Germany; Switzerland — 1969
- Le cercle rouge (The red circle) — Melville, Jean-Pierre — France — 1970
- Un flic (Dirty money) — Melville, Jean-Pierre — France — 1972
- The Driver — Hill, Walter — No country known — 1978
- La mort en direct (Death watch) — Tavernier, Bertrand — France; Germany — 1979
- Thief — Mann, Michael — No country known — 1981
- An Unsuitable job for a woman — Petit, Chris — No country known — 1982
- Record type:
- document
- Document type:
- program
- Document author(s):
- Chris Peachment
- Publication date:
- March 1983
- Document source:
- National Film Theatre (London, England)
- Document contains:
- production co
- Number of pages:
- 8
- Related films:
- Le silence de la mer (The silence of the sea) — Melville, Jean-Pierre — France — 1947
- The set-up — Wise, Robert — United States — 1949
- Les enfants terribles (The strange ones) — Melville, Jean-Pierre — France — 1949
- Orphée — Cocteau, Jean — France — 1950
- The asphalt jungle — Huston, John — United States — 1950
- Le journal d'un curé de campagne (Diary of a country priest) — Bresson, Robert — France — 1951
- Quand tu liras cette lettre (When you read this letter) — Melville, Jean-Pierre — France — 1953
- Touchez pas au grisbi (Grisbi) — Becker, Jacques — France — 1954
- Du rififi chez les hommes (Rififi) — Dassin, Jules — France — 1955
- Bob le flambeur (Bob the gambler) — Melville, Jean-Pierre — France — 1956
- Deux hommes dans Manhattan (Two men in Manhattan) — Melville, Jean-Pierre — France — 1958
- À bout de souffle (Breathless) — Godard, Jean Luc — France — 1959
- Le trou (The hole) — Becker, Jacques — France; Italy — 1960
- Léon Morin, prêtre (Leon Morin, priest) — Melville, Jean-Pierre — France — 1961
- Le doulos (The finger man) — Melville, Jean-Pierre — France; Italy — 1962
- L'Ainé des ferchaux (The magnet of doom) — Melville, Jean-Pierre — France; Italy — 1963
- Le deuxième souffle (Second breath) — Melville, Jean-Pierre — France — 1965
- Point blank — Boorman, John — No country known — 1967
- Le samouraï (The godson) — Melville, Jean-Pierre — France; Italy — 1967
- L'armee des ombres (Army of shadows) — Melville, Jean-Pierre — France — 1969
- Le chagrin et la pitié (The sorrow and the pity) — Ophüls, Marcel — France; Germany; Switzerland — 1969
- Le cercle rouge (The red circle) — Melville, Jean-Pierre — France — 1970
- Un flic (Dirty money) — Melville, Jean-Pierre — France — 1972
- The Driver — Hill, Walter — No country known — 1978
- La mort en direct (Death watch) — Tavernier, Bertrand — France; Germany — 1979
- Thief — Mann, Michael — No country known — 1981
- Painting chicago — Marle, Judy — No country known — 1982
- An Unsuitable job for a woman — Petit, Chris — No country known — 1982
- Howard Hodgkin in conversation with David Sylvester — Marle, Judy — No country known — 1982
- The filleting machine — Martin, Murray — Great Britain — 1982
14. Max Ophuls
- Record type:
- document
- Document type:
- program note
- Document author(s):
- Paul Willemen
- Publication date:
- 1978 Sep
- Document source:
- National Film Theatre (London, England)
- Document contains:
- production co
- Number of pages:
- 5
- Related films:
- Die lachende erben (The happy heirs) — Ophüls, Max — Germany — 1931
- Die verliebte firma (The company's in love) — Ophüls, Max — Germany — 1931
- Die verkaufte braut (The bartered bride) — Ophüls, Max — Germany — 1932
- Liebelei (Flirtation) — Ophüls, Max — Germany — 1933
- Une histoire d'amour — Ophüls, Max — France — 1933
- La signora di tutti — Ophüls, Max — Italy — 1934
- Divine — Ophüls, Max — France — 1935
- La tendre ennemie (The tender enemy) — Ophüls, Max — France — 1936
- Komedie om geld (The trouble with money) — Ophüls, Max — Netherlands — 1936
- Yoshiwara — Ophüls, Max — France — 1937
- Werther — Ophüls, Max — France — 1938
- Sans lendemain — Ophüls, Max — France — 1939
- De Mayerling à Sarajevo — Ophüls, Max — France — 1940
- The exile — Ophüls, Max — United States — 1947
- Letter from an unknown woman — Ophüls, Max — United States — 1948
- The reckless moment — Ophüls, Max — United States — 1949
- Caught — Ophüls, Max — United States — 1949
- La ronde — Ophüls, Max — France — 1950
- Le plaisir — Ophüls, Max — France — 1951
- Madame de... (The earrings of Madame de...) — Ophüls, Max — France; Italy — 1953
- Lola Montès — Ophüls, Max — France; Germany — 1955
- Record type:
- document
- Document type:
- monograph
- Document author(s):
- Richard Roud
- Publication date:
- 1958
- Document source:
- British Film Institute
- Document contains:
- bibliography, box info, cost info, filmography, and production co
- Number of pages:
- 24
- Related films:
- Dann schon lieber Lebertran (I'd rather have cod liver oil) — Ophüls, Max — Germany — 1930
- Die lachende erben (The happy heirs) — Ophüls, Max — Germany — 1931
- Die verliebte firma (The company's in love) — Ophüls, Max — Germany — 1931
- Die verkaufte braut (The bartered bride) — Ophüls, Max — Germany — 1932
- Liebelei (Flirtation) — Ophüls, Max — Germany — 1933
- On a volé un homme (Man stolen) — Ophüls, Max — France — 1933
- Une histoire d'amour — Ophüls, Max — France — 1933
- La signora di tutti — Ophüls, Max — Italy — 1934
- Divine — Ophüls, Max — France — 1935
- La tendre ennemie (The tender enemy) — Ophüls, Max — France — 1936
- Komedie om geld (The trouble with money) — Ophüls, Max — Netherlands — 1936
- La valse brillante — Ophüls, Max — France — 1936
- Ave maria — Ophüls, Max — France — 1936
- Yoshiwara — Ophüls, Max — France — 1937
- Werther — Ophüls, Max — France — 1938
- Sans lendemain — Ophüls, Max — France — 1939
- L'ecole des femmes — Ophüls, Max — Switzerland — 1940
- De Mayerling à Sarajevo — Ophüls, Max — France — 1940
- Vendetta — Ferrer, Mel; Ophüls, Max — United States — 1946
- The exile — Ophüls, Max — United States — 1947
- Letter from an unknown woman — Ophüls, Max — United States — 1948
- The reckless moment — Ophüls, Max — United States — 1949
- Caught — Ophüls, Max — United States — 1949
- La ronde — Ophüls, Max — France — 1950
- Le plaisir — Ophüls, Max — France — 1951
- Madame de... (The earrings of Madame de...) — Ophüls, Max — France; Italy — 1953
- Lola Montès — Ophüls, Max — France; Germany — 1955
- Record type:
- document
- Document type:
- program note
- Document author(s):
- Judy Bloch
- Publication date:
- 1999 Sep
- Document source:
- Pacific Film Archive
- Document contains:
- bibliography and box info
- Number of pages:
- 8
- Related films:
- Die lachende erben (The happy heirs) — Ophüls, Max — Germany — 1931
- Die verliebte firma (The company's in love) — Ophüls, Max — Germany — 1931
- Die verkaufte braut (The bartered bride) — Ophüls, Max — Germany — 1932
- Liebelei (Flirtation) — Ophüls, Max — Germany — 1933
- La signora di tutti — Ophüls, Max — Italy — 1934
- La tendre ennemie (The tender enemy) — Ophüls, Max — France — 1936
- Komedie om geld (The trouble with money) — Ophüls, Max — Netherlands — 1936
- Yoshiwara — Ophüls, Max — France — 1937
- Sans lendemain — Ophüls, Max — France — 1939
- De Mayerling à Sarajevo — Ophüls, Max — France — 1940
- Letter from an unknown woman — Ophüls, Max — United States — 1948
- The reckless moment — Ophüls, Max — United States — 1949
- Caught — Ophüls, Max — United States — 1949
- La ronde — Ophüls, Max — France — 1950
- Le plaisir — Ophüls, Max — France — 1951
- Madame de... (The earrings of Madame de...) — Ophüls, Max — France; Italy — 1953
- Lola Montès — Ophüls, Max — France; Germany — 1955
- Record type:
- document
- Document type:
- press release
- Publication date:
- 1999 Aug 16
- Document source:
- San Francisco Film Society
- Document contains:
- distribution co
- Number of pages:
- 3
- Related films:
- Die lachende erben (The happy heirs) — Ophüls, Max — Germany — 1931
- Liebelei (Flirtation) — Ophüls, Max — Germany — 1933
- La signora di tutti — Ophüls, Max — Italy — 1934
- La tendre ennemie (The tender enemy) — Ophüls, Max — France — 1936
- Komedie om geld (The trouble with money) — Ophüls, Max — Netherlands — 1936
- Letter from an unknown woman — Ophüls, Max — United States — 1948
- The reckless moment — Ophüls, Max — United States — 1949
- Caught — Ophüls, Max — United States — 1949
- La ronde — Ophüls, Max — France — 1950
- Le plaisir — Ophüls, Max — France — 1951
- Madame de... (The earrings of Madame de...) — Ophüls, Max — France; Italy — 1953
- Lola Montès — Ophüls, Max — France; Germany — 1955
- Record type:
- document
- Document type:
- flyer
- Publication date:
- 1999 Oct 01
- Document source:
- San Francisco Film Society
- Document contains:
- production co
- Number of pages:
- 2
- Related films:
- Die lachende erben (The happy heirs) — Ophüls, Max — Germany — 1931
- Liebelei (Flirtation) — Ophüls, Max — Germany — 1933
- La signora di tutti — Ophüls, Max — Italy — 1934
- La tendre ennemie (The tender enemy) — Ophüls, Max — France — 1936
- Komedie om geld (The trouble with money) — Ophüls, Max — Netherlands — 1936
- Letter from an unknown woman — Ophüls, Max — United States — 1948
- The reckless moment — Ophüls, Max — United States — 1949
- Caught — Ophüls, Max — United States — 1949
- La ronde — Ophüls, Max — France — 1950
- Le plaisir — Ophüls, Max — France — 1951
- Madame de... (The earrings of Madame de...) — Ophüls, Max — France; Italy — 1953
- Lola Montès — Ophüls, Max — France; Germany — 1955
- Record type:
- document
- Document type:
- program
- Document author(s):
- Geoffrey Nowell-Smith
- Document source:
- National Film Theatre (London, England)
- Document contains:
- production co
- Number of pages:
- 4
- Related films:
- Cronaca di un amore (Story of a love affair) — Antonioni, Michelangelo — Italy — 1950
- La signora senza camelie (The lady without camelias) — Antonioni, Michelangelo — Italy; France — 1953
- I vinti (The vanquished) — Antonioni, Michelangelo — Italy; France — 1953
- Le amiche (The girl friends) — Antonioni, Michelangelo — Italy — 1955
- Il grido (The cry) — Antonioni, Michelangelo — Italy; United States — 1957
- L'avventura (The adventure) — Antonioni, Michelangelo — Italy; France — 1960
- La notte (The night) — Antonioni, Michelangelo — Italy; France — 1961
- L'eclisse (The eclipse) — Antonioni, Michelangelo — France; Italy — 1962
- Il deserto rosso (Red desert) — Antonioni, Michelangelo — Italy; France — 1964
- Blowup — Antonioni, Michelangelo — Italy; Great Britain — 1966
- Zabriskie Point — Antonioni, Michelangelo — United States — 1970
- Professione: reporter (The passenger) — Antonioni, Michelangelo — Italy; France; Spain; United States — 1975
- Il mistero di Oberwald (The Oberwald mystery) — Antonioni, Michelangelo — Italy; Germany — 1981
- Identificazione di una donna (Identification of a woman) — Antonioni, Michelangelo — Italy; France — 1982
- Record type:
- document
- Document type:
- program
- Document author(s):
- Domènec Font
- Publication date:
- 2010
- Document source:
- Institut Valencià de l'Audiovisual i de Cinematografia Ricardo Muñoz Suay
- Document contains:
- production co
- Number of pages:
- 7
- Related films:
- Gente del po (People of the po) — Antonioni, Michelangelo — Italy — 1947
- Nettezza urbana — Antonioni, Michelangelo — Italy — 1948
- Superstizione (Superstitions) — Antonioni, Michelangelo — Italy — 1948
- L'amorosa menzogna (Lies of love) — Antonioni, Michelangelo — Italy — 1949
- Sette canne, un vestito (Seven reeds, one suit) — Antonioni, Michelangelo — Italy — 1949
- La villa dei mostri (The villa of monsters) — Antonioni, Michelangelo — Italy — 1950
- Cronaca di un amore (Story of a love affair) — Antonioni, Michelangelo — Italy — 1950
- La signora senza camelie (The lady without camelias) — Antonioni, Michelangelo — Italy; France — 1953
- I vinti (The vanquished) — Antonioni, Michelangelo — Italy; France — 1953
- Tentato suicidio (When love fails) — Antonioni, Michelangelo — Italy — 1953
- Le amiche (The girl friends) — Antonioni, Michelangelo — Italy — 1955
- Il grido (The cry) — Antonioni, Michelangelo — Italy; United States — 1957
- L'avventura (The adventure) — Antonioni, Michelangelo — Italy; France — 1960
- La notte (The night) — Antonioni, Michelangelo — Italy; France — 1961
- L'eclisse (The eclipse) — Antonioni, Michelangelo — France; Italy — 1962
- Il deserto rosso (Red desert) — Antonioni, Michelangelo — Italy; France — 1964
- Blowup — Antonioni, Michelangelo — Italy; Great Britain — 1966
- Antonioni, storia di un autore (Antonioni: documents and testimonials) — Mignozzi, Gianfranco — Italy — 1966
- Zabriskie Point — Antonioni, Michelangelo — United States — 1970
- Chung kuo - Cina (China) — Antonioni, Michelangelo — Italy — 1972
- Professione: reporter (The passenger) — Antonioni, Michelangelo — Italy; France; Spain; United States — 1975
- Il mistero di Oberwald (The Oberwald mystery) — Antonioni, Michelangelo — Italy; Germany — 1981
- Identificazione di una donna (Identification of a woman) — Antonioni, Michelangelo — Italy; France — 1982
- Ritorno a lisca bianca — Antonioni, Michelangelo — Italy — 1983
- Kumbha mela — Antonioni, Michelangelo — Italy — 1989
- Roma 90 — Antonioni, Michelangelo — Italy — 1990
- Noto, Mandorli, Vulcano, Stromboli, carnevale — Antonioni, Michelangelo — Italy — 1993
- Al di là delle nuvole (Beyond the clouds) — Antonioni, Michelangelo; Wenders, Wim — Italy; France; Germany — 1995
- Fare un film per me è vivere (To make a film is to be alive) — Antonioni, Enrica — Italy — 1995
- Eros — Antonioni, Michelangelo; Wong Kar-Wai,; Soderbergh, Steven — United States; China (Republic : 1949- ); France; Hong Kong; Italy; Luxembourg; Great Britain — 2004
- Antonioni su Antonioni (Antonioni on Antonioni) — di Carlo, Carlo — Italy — 2008
- Record type:
- document
- Document type:
- press release
- Publication date:
- 1999 Jan 22
- Document source:
- San Francisco Film Society
- Number of pages:
- 7
- Related films:
- Cronaca di un amore (Story of a love affair) — Antonioni, Michelangelo — Italy — 1950
- La signora senza camelie (The lady without camelias) — Antonioni, Michelangelo — Italy; France — 1953
- Le amiche (The girl friends) — Antonioni, Michelangelo — Italy — 1955
- Il grido (The cry) — Antonioni, Michelangelo — Italy; United States — 1957
- L'avventura (The adventure) — Antonioni, Michelangelo — Italy; France — 1960
- La notte (The night) — Antonioni, Michelangelo — Italy; France — 1961
- L'eclisse (The eclipse) — Antonioni, Michelangelo — France; Italy — 1962
- Il deserto rosso (Red desert) — Antonioni, Michelangelo — Italy; France — 1964
- Blowup — Antonioni, Michelangelo — Italy; Great Britain — 1966
- Zabriskie Point — Antonioni, Michelangelo — United States — 1970
- Chung kuo - Cina (China) — Antonioni, Michelangelo — Italy — 1972
- Professione: reporter (The passenger) — Antonioni, Michelangelo — Italy; France; Spain; United States — 1975
- Il mistero di Oberwald (The Oberwald mystery) — Antonioni, Michelangelo — Italy; Germany — 1981
- Identificazione di una donna (Identification of a woman) — Antonioni, Michelangelo — Italy; France — 1982
- Record type:
- document
- Document type:
- program note
- Document author(s):
- James Quandt
- Publication date:
- 1993 Jan 23
- Document source:
- Cinematheque Ontario/a division of Toronto International Film Festival Group
- Document contains:
- production co
- Number of pages:
- 5
- Related films:
- Cronaca di un amore (Story of a love affair) — Antonioni, Michelangelo — Italy — 1950
- La signora senza camelie (The lady without camelias) — Antonioni, Michelangelo — Italy; France — 1953
- I vinti (The vanquished) — Antonioni, Michelangelo — Italy; France — 1953
- Le amiche (The girl friends) — Antonioni, Michelangelo — Italy — 1955
- Il grido (The cry) — Antonioni, Michelangelo — Italy; United States — 1957
- L'avventura (The adventure) — Antonioni, Michelangelo — Italy; France — 1960
- La notte (The night) — Antonioni, Michelangelo — Italy; France — 1961
- L'eclisse (The eclipse) — Antonioni, Michelangelo — France; Italy — 1962
- Il deserto rosso (Red desert) — Antonioni, Michelangelo — Italy; France — 1964
- tre volti (Three faces of a woman) — Antonioni, Michelangelo; Bolognini, Mauro; Indovina, Franco — Italy — 1965
- Blowup — Antonioni, Michelangelo — Italy; Great Britain — 1966
- Zabriskie Point — Antonioni, Michelangelo — United States — 1970
- Chung kuo - Cina (China) — Antonioni, Michelangelo — Italy — 1972
- Professione: reporter (The passenger) — Antonioni, Michelangelo — Italy; France; Spain; United States — 1975
- Il mistero di Oberwald (The Oberwald mystery) — Antonioni, Michelangelo — Italy; Germany — 1981
- Identificazione di una donna (Identification of a woman) — Antonioni, Michelangelo — Italy; France — 1982
23. Ophuls
- Record type:
- document
- Document type:
- monograph
- Document author(s):
- Paul Willemen
- Publication date:
- 1978
- Document source:
- British Film Institute
- Document contains:
- bibliography, box info, cost info, and filmography
- Number of pages:
- 91
- Related films:
- Dann schon lieber Lebertran (I'd rather have cod liver oil) — Ophüls, Max — Germany — 1930
- Die lachende erben (The happy heirs) — Ophüls, Max — Germany — 1931
- Die verliebte firma (The company's in love) — Ophüls, Max — Germany — 1931
- Die verkaufte braut (The bartered bride) — Ophüls, Max — Germany — 1932
- Liebelei (Flirtation) — Ophüls, Max — Germany — 1933
- On a volé un homme (Man stolen) — Ophüls, Max — France — 1933
- La signora di tutti — Ophüls, Max — Italy — 1934
- Divine — Ophüls, Max — France — 1935
- La tendre ennemie (The tender enemy) — Ophüls, Max — France — 1936
- Komedie om geld (The trouble with money) — Ophüls, Max — Netherlands — 1936
- Ave maria — Ophüls, Max — France — 1936
- Yoshiwara — Ophüls, Max — France — 1937
- Werther — Ophüls, Max — France — 1938
- Sans lendemain — Ophüls, Max — France — 1939
- De Mayerling à Sarajevo — Ophüls, Max — France — 1940
- The exile — Ophüls, Max — United States — 1947
- Letter from an unknown woman — Ophüls, Max — United States — 1948
- The reckless moment — Ophüls, Max — United States — 1949
- Caught — Ophüls, Max — United States — 1949
- La ronde — Ophüls, Max — France — 1950
- Le plaisir — Ophüls, Max — France — 1951
- Madame de... (The earrings of Madame de...) — Ophüls, Max — France; Italy — 1953
- Lola Montès — Ophüls, Max — France; Germany — 1955
- Record type:
- document
- Document type:
- article
- Publication date:
- 2013 September 29
- Document source:
- New York Times
- Document contains:
- production co
- Number of pages:
- 2
- Related films:
- The song of Bernadette — King, Henry — United States — 1943
- Stromboli — Rossellini, Roberto — Italy; United States — 1950
- Viaggio in italia — Rossellini, Roberto — Italy; France — 1953
- Europa 51 — Rossellini, Roberto — Italy — 1953
- Record type:
- document
- Document type:
- distributor materials
- Publication date:
- 1975
- Document source:
- Audio Brandon Films
- Document contains:
- bibliography, distribution co, and production co
- Number of pages:
- 17
- Related films:
- Un chien andalou (Andalusian dog) — Buñuel, Luis — France — 1928
- Païsà (Paisan) — Rossellini, Roberto — Italy — 1946
- L'amore (Ways of love) — Rossellini, Roberto — Italy — 1948
- El gran calavera (The great madcap) — Buñuel, Luis — Mexico — 1949
- Stromboli — Rossellini, Roberto — Italy; United States — 1950
- Los olvidados (The young and the damned) — Buñuel, Luis — Mexico — 1951
- La hija del engaño (Daughter of deceit) — Buñuel, Luis — Mexico — 1951
- The adventures of Robinson Crusoe — Buñuel, Luis — United States; Mexico — 1952
- El (This strange passion) — Buñuel, Luis — Mexico — 1952
- Viaggio in italia — Rossellini, Roberto — Italy; France — 1953
- La ilusion viaje en tranvia (Illusion travels by streetcar) — Buñuel, Luis — Mexico — 1953
- El rio y la muerte (The river and death) — Buñuel, Luis — Mexico — 1955
- Ensayo de un crimen (The criminal life of Archibaldo de la Cruz) — Buñuel, Luis — Mexico — 1955
- La mort en ce jardin (Death in the garden) — Buñuel, Luis — Mexico; France — 1956
- Nazarin — Buñuel, Luis — Mexico — 1959
- Era notte a Roma — Rossellini, Roberto — No country known — 1960
- Viridiana — Buñuel, Luis — Spain; Mexico — 1961
- El angel exterminador (The exterminating angel) — Buñuel, Luis — Mexico — 1962
- RoGoPaG — Rossellini, Roberto; Godard, Jean Luc; Gregoretti, Ugo; Pasolini, Pier Paolo — Italy; France — 1963
- Simon del desierto (Simon of the desert) — Buñuel, Luis — Mexico — 1965
- La prise de pouvoir par Louis XIV (The rise to power of Louis XIV) — Rossellini, Roberto — France — 1966
- Tristana — Buñuel, Luis — Spain; France; Italy — 1970
- Agostino d'Ippona (Augustine of Hippo) — Rossellini, Roberto — Italy — 1972
- Blaise Pascal — Rossellini, Roberto — No country known — 1972
- Cosimo de Medici (The age of the Medici) — Rossellini, Roberto — Italy — 1973
- Record type:
- document
- Document type:
- article
- Document author(s):
- Dave Kehr
- Publication date:
- September 29, 2013
- Document source:
- New York Times
- Document contains:
- production co
- Number of pages:
- 2
- Related films:
- Stromboli — Rossellini, Roberto — Italy; United States — 1950
- Viaggio in italia — Rossellini, Roberto — Italy; France — 1953
- Europa 51 — Rossellini, Roberto — Italy — 1953
- La paura (Fear) — Rossellini, Roberto — Italy; Germany — 1954
- Record type:
- document
- Document type:
- program note
- Document author(s):
- Kent Jones
- Publication date:
- 1999
- Document source:
- Film Society of Lincoln Center
- Number of pages:
- 7
- Related films:
- Die lachende erben (The happy heirs) — Ophüls, Max — Germany — 1931
- Die verliebte firma (The company's in love) — Ophüls, Max — Germany — 1931
- Die verkaufte braut (The bartered bride) — Ophüls, Max — Germany — 1932
- Liebelei (Flirtation) — Ophüls, Max — Germany — 1933
- La signora di tutti — Ophüls, Max — Italy — 1934
- Divine — Ophüls, Max — France — 1935
- La tendre ennemie (The tender enemy) — Ophüls, Max — France — 1936
- Komedie om geld (The trouble with money) — Ophüls, Max — Netherlands — 1936
- Yoshiwara — Ophüls, Max — France — 1937
- Werther — Ophüls, Max — France — 1938
- Sans lendemain — Ophüls, Max — France — 1939
- De Mayerling à Sarajevo — Ophüls, Max — France — 1940
- The exile — Ophüls, Max — United States — 1947
- Letter from an unknown woman — Ophüls, Max — United States — 1948
- The reckless moment — Ophüls, Max — United States — 1949
- Caught — Ophüls, Max — United States — 1949
- La ronde — Ophüls, Max — France — 1950
- Le plaisir — Ophüls, Max — France — 1951
- Madame de... (The earrings of Madame de...) — Ophüls, Max — France; Italy — 1953
- Lola Montès — Ophüls, Max — France; Germany — 1955