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- Record type:
- document
- Document type:
- program
- Document author(s):
- David Thomson
- Publication date:
- September 2000
- Document source:
- National Film Theatre (London, England)
- Document contains:
- production co
- Number of pages:
- 8
- Related films:
-
- Die lachende erben (The happy heirs) — Ophüls, Max — Germany — 1931
- Die verliebte firma (The company's in love) — Ophüls, Max — Germany — 1931
- Die verkaufte braut (The bartered bride) — Ophüls, Max — Germany — 1932
- Liebelei (Flirtation) — Ophüls, Max — Germany — 1933
- La signora di tutti — Ophüls, Max — Italy — 1934
- Divine — Ophüls, Max — France — 1935
- La tendre ennemie (The tender enemy) — Ophüls, Max — France — 1936
- Komedie om geld (The trouble with money) — Ophüls, Max — Netherlands — 1936
- La valse brillante — Ophüls, Max — France — 1936
- Ave maria — Ophüls, Max — France — 1936
- Yoshiwara — Ophüls, Max — France — 1937
- Le roman de Werther (The novel of Werther) — Ophüls, Max — France — 1938
- Sans lendemain — Ophüls, Max — France — 1939
- De Mayerling à Sarajevo — Ophüls, Max — France — 1940
- Phantom lady — Siodmak, Robert — United States — 1944
- The exile — Ophüls, Max — United States — 1947
- Letter from an unknown woman — Ophüls, Max — United States — 1948
- The reckless moment — Ophüls, Max — United States — 1949
- Caught — Ophüls, Max — United States — 1949
- La ronde — Ophüls, Max — France — 1950
- Le plaisir — Ophüls, Max — France — 1951
- Madame de... (The earrings of Madame de...) — Ophüls, Max — France; Italy — 1953
- Lola Montès — Ophüls, Max — France; Germany — 1955
- Record type:
- document
- Document type:
- article
- Document author(s):
- Ludwig Gesek
- Publication date:
- 1955
- Document source:
- Filmkunst - Zeitschrift für Filmkultur und Filmwissenschaft
- Document contains:
- bibliography, box info, cost info, filmography, and production co
- Number of pages:
- 14
- Related films:
-
- Im banne der kralle — Froelich, Carl — Austria — 1921
- Der taugenichts (The good for nothings) — Froelich, Carl — Germany — 1922
- Luise Millerin — Froelich, Carl — Germany — 1922
- Der schatz (The treasure) — Pabst, Georg Wilhelm — Germany — 1923
- Gräfin Donelli (Countess Donelli) — Pabst, Georg Wilhelm — Germany — 1924
- Die freudlose gasse (The joyless street) — Pabst, Georg Wilhelm — Germany — 1925
- Man spielt nicht mit der liebe (Don't play with love) — Pabst, Georg Wilhelm — Germany — 1926
- Geheimnisse einer seele (Secrets of a soul) — Pabst, Georg Wilhelm — Germany — 1926
- Die liebe der Jeanne Ney (The love of Jeanne Ney) — Pabst, Georg Wilhelm — Germany — 1927
- Abwege (Crisis) — Pabst, Georg Wilhelm — Germany — 1928
- Die büchse der Pandora (Pandora's box) — Pabst, Georg Wilhelm — Germany — 1929
- Das tagebuch einer verlorenen (Diary of a lost girl) — Pabst, Georg Wilhelm — Germany — 1929
- Die weisse hölle vom Piz Palu (The white hell of Pitz Palu) — Fanck, Arnold; Pabst, Georg Wilhelm — Germany — 1929
- Westfront 1918 — Pabst, Georg Wilhelm — Germany — 1930
- Skandal um Eva (Scandalous Eva) — Pabst, Georg Wilhelm — Germany — 1930
- Kameradschaft (Comradeship) — Pabst, Georg Wilhelm — Germany — 1931
- Die dreigroschenoper (The threepenny opera) — Pabst, Georg Wilhelm — Germany — 1931
- L'Atlantide (The mistress of Atlantis) — Pabst, Georg Wilhelm — France — 1932
- Don Quichotte (Don Quixote) — Pabst, Georg Wilhelm — France — 1933
- Du haut en bas (High and low) — Pabst, Georg Wilhelm — France — 1933
- A modern hero — Pabst, Georg Wilhelm — United States — 1934
- Mademoiselle Docteur — Pabst, Georg Wilhelm — France — 1936
- Le drame de Shanghai (Shanghai drama) — Pabst, Georg Wilhelm — France — 1938
- Jeunes filles en détresse — Pabst, Georg Wilhelm — France — 1939
- Komödianten — Pabst, Georg Wilhelm — Germany — 1941
- Paracelsus — Pabst, Georg Wilhelm — Germany — 1943
- Der fall Molander — Pabst, Georg Wilhelm — Germany — 1944
- Der prozess (The trial) — Pabst, Georg Wilhelm — Austria — 1947
- Geheimnisvolle tiefe (Mysterious shadows) — Pabst, Georg Wilhelm — Austria — 1949
- La conciencia acusa (The voice of silence) — Pabst, Georg Wilhelm — Italy; France — 1952
- Cose da pazzi — Pabst, Georg Wilhelm — Italy — 1953
- Das bekenntnis der Ina Kahr (The confession of Ina Kahr) — Pabst, Georg Wilhelm — Germany — 1954
- Der letzte akt (The last ten days) — Pabst, Georg Wilhelm — Germany; Austria — 1955
- Es geschah am 20. Juli (Jackboot mutiny) — Pabst, Georg Wilhelm — Germany — 1955
- Rosen für Bettina (Ballerina) — Pabst, Georg Wilhelm — Germany — 1956
- Record type:
- document
- Document type:
- program note
- Document author(s):
- Paul Willemen
- Publication date:
- 1978 Sep
- Document source:
- National Film Theatre (London, England)
- Document contains:
- production co
- Number of pages:
- 5
- Related films:
-
- Die lachende erben (The happy heirs) — Ophüls, Max — Germany — 1931
- Die verliebte firma (The company's in love) — Ophüls, Max — Germany — 1931
- Die verkaufte braut (The bartered bride) — Ophüls, Max — Germany — 1932
- Liebelei (Flirtation) — Ophüls, Max — Germany — 1933
- Une histoire d'amour — Ophüls, Max — France — 1933
- La signora di tutti — Ophüls, Max — Italy — 1934
- Divine — Ophüls, Max — France — 1935
- La tendre ennemie (The tender enemy) — Ophüls, Max — France — 1936
- Komedie om geld (The trouble with money) — Ophüls, Max — Netherlands — 1936
- Yoshiwara — Ophüls, Max — France — 1937
- Werther — Ophüls, Max — France — 1938
- Sans lendemain — Ophüls, Max — France — 1939
- De Mayerling à Sarajevo — Ophüls, Max — France — 1940
- The exile — Ophüls, Max — United States — 1947
- Letter from an unknown woman — Ophüls, Max — United States — 1948
- The reckless moment — Ophüls, Max — United States — 1949
- Caught — Ophüls, Max — United States — 1949
- La ronde — Ophüls, Max — France — 1950
- Le plaisir — Ophüls, Max — France — 1951
- Madame de... (The earrings of Madame de...) — Ophüls, Max — France; Italy — 1953
- Lola Montès — Ophüls, Max — France; Germany — 1955
- Record type:
- document
- Document type:
- monograph
- Document author(s):
- Richard Roud
- Publication date:
- 1958
- Document source:
- British Film Institute
- Document contains:
- bibliography, box info, cost info, filmography, and production co
- Number of pages:
- 24
- Related films:
-
- Dann schon lieber Lebertran (I'd rather have cod liver oil) — Ophüls, Max — Germany — 1930
- Die lachende erben (The happy heirs) — Ophüls, Max — Germany — 1931
- Die verliebte firma (The company's in love) — Ophüls, Max — Germany — 1931
- Die verkaufte braut (The bartered bride) — Ophüls, Max — Germany — 1932
- Liebelei (Flirtation) — Ophüls, Max — Germany — 1933
- On a volé un homme (Man stolen) — Ophüls, Max — France — 1933
- Une histoire d'amour — Ophüls, Max — France — 1933
- La signora di tutti — Ophüls, Max — Italy — 1934
- Divine — Ophüls, Max — France — 1935
- La tendre ennemie (The tender enemy) — Ophüls, Max — France — 1936
- Komedie om geld (The trouble with money) — Ophüls, Max — Netherlands — 1936
- La valse brillante — Ophüls, Max — France — 1936
- Ave maria — Ophüls, Max — France — 1936
- Yoshiwara — Ophüls, Max — France — 1937
- Werther — Ophüls, Max — France — 1938
- Sans lendemain — Ophüls, Max — France — 1939
- L'ecole des femmes — Ophüls, Max — Switzerland — 1940
- De Mayerling à Sarajevo — Ophüls, Max — France — 1940
- Vendetta — Ferrer, Mel; Ophüls, Max — United States — 1946
- The exile — Ophüls, Max — United States — 1947
- Letter from an unknown woman — Ophüls, Max — United States — 1948
- The reckless moment — Ophüls, Max — United States — 1949
- Caught — Ophüls, Max — United States — 1949
- La ronde — Ophüls, Max — France — 1950
- Le plaisir — Ophüls, Max — France — 1951
- Madame de... (The earrings of Madame de...) — Ophüls, Max — France; Italy — 1953
- Lola Montès — Ophüls, Max — France; Germany — 1955
- Record type:
- document
- Document type:
- program note
- Document author(s):
- Judy Bloch
- Publication date:
- 1999 Sep
- Document source:
- Pacific Film Archive
- Document contains:
- bibliography and box info
- Number of pages:
- 8
- Related films:
-
- Die lachende erben (The happy heirs) — Ophüls, Max — Germany — 1931
- Die verliebte firma (The company's in love) — Ophüls, Max — Germany — 1931
- Die verkaufte braut (The bartered bride) — Ophüls, Max — Germany — 1932
- Liebelei (Flirtation) — Ophüls, Max — Germany — 1933
- La signora di tutti — Ophüls, Max — Italy — 1934
- La tendre ennemie (The tender enemy) — Ophüls, Max — France — 1936
- Komedie om geld (The trouble with money) — Ophüls, Max — Netherlands — 1936
- Yoshiwara — Ophüls, Max — France — 1937
- Sans lendemain — Ophüls, Max — France — 1939
- De Mayerling à Sarajevo — Ophüls, Max — France — 1940
- Letter from an unknown woman — Ophüls, Max — United States — 1948
- The reckless moment — Ophüls, Max — United States — 1949
- Caught — Ophüls, Max — United States — 1949
- La ronde — Ophüls, Max — France — 1950
- Le plaisir — Ophüls, Max — France — 1951
- Madame de... (The earrings of Madame de...) — Ophüls, Max — France; Italy — 1953
- Lola Montès — Ophüls, Max — France; Germany — 1955
- Record type:
- document
- Document type:
- press release
- Publication date:
- 1999 Aug 16
- Document source:
- San Francisco Film Society
- Document contains:
- distribution co
- Number of pages:
- 3
- Related films:
-
- Die lachende erben (The happy heirs) — Ophüls, Max — Germany — 1931
- Liebelei (Flirtation) — Ophüls, Max — Germany — 1933
- La signora di tutti — Ophüls, Max — Italy — 1934
- La tendre ennemie (The tender enemy) — Ophüls, Max — France — 1936
- Komedie om geld (The trouble with money) — Ophüls, Max — Netherlands — 1936
- Letter from an unknown woman — Ophüls, Max — United States — 1948
- The reckless moment — Ophüls, Max — United States — 1949
- Caught — Ophüls, Max — United States — 1949
- La ronde — Ophüls, Max — France — 1950
- Le plaisir — Ophüls, Max — France — 1951
- Madame de... (The earrings of Madame de...) — Ophüls, Max — France; Italy — 1953
- Lola Montès — Ophüls, Max — France; Germany — 1955
- Record type:
- document
- Document type:
- flyer
- Publication date:
- 1999 Oct 01
- Document source:
- San Francisco Film Society
- Document contains:
- production co
- Number of pages:
- 2
- Related films:
-
- Die lachende erben (The happy heirs) — Ophüls, Max — Germany — 1931
- Liebelei (Flirtation) — Ophüls, Max — Germany — 1933
- La signora di tutti — Ophüls, Max — Italy — 1934
- La tendre ennemie (The tender enemy) — Ophüls, Max — France — 1936
- Komedie om geld (The trouble with money) — Ophüls, Max — Netherlands — 1936
- Letter from an unknown woman — Ophüls, Max — United States — 1948
- The reckless moment — Ophüls, Max — United States — 1949
- Caught — Ophüls, Max — United States — 1949
- La ronde — Ophüls, Max — France — 1950
- Le plaisir — Ophüls, Max — France — 1951
- Madame de... (The earrings of Madame de...) — Ophüls, Max — France; Italy — 1953
- Lola Montès — Ophüls, Max — France; Germany — 1955
- Record type:
- document
- Document type:
- monograph
- Document author(s):
- Paul Willemen
- Publication date:
- 1978
- Document source:
- British Film Institute
- Document contains:
- bibliography, box info, cost info, and filmography
- Number of pages:
- 91
- Related films:
-
- Dann schon lieber Lebertran (I'd rather have cod liver oil) — Ophüls, Max — Germany — 1930
- Die lachende erben (The happy heirs) — Ophüls, Max — Germany — 1931
- Die verliebte firma (The company's in love) — Ophüls, Max — Germany — 1931
- Die verkaufte braut (The bartered bride) — Ophüls, Max — Germany — 1932
- Liebelei (Flirtation) — Ophüls, Max — Germany — 1933
- On a volé un homme (Man stolen) — Ophüls, Max — France — 1933
- La signora di tutti — Ophüls, Max — Italy — 1934
- Divine — Ophüls, Max — France — 1935
- La tendre ennemie (The tender enemy) — Ophüls, Max — France — 1936
- Komedie om geld (The trouble with money) — Ophüls, Max — Netherlands — 1936
- Ave maria — Ophüls, Max — France — 1936
- Yoshiwara — Ophüls, Max — France — 1937
- Werther — Ophüls, Max — France — 1938
- Sans lendemain — Ophüls, Max — France — 1939
- De Mayerling à Sarajevo — Ophüls, Max — France — 1940
- The exile — Ophüls, Max — United States — 1947
- Letter from an unknown woman — Ophüls, Max — United States — 1948
- The reckless moment — Ophüls, Max — United States — 1949
- Caught — Ophüls, Max — United States — 1949
- La ronde — Ophüls, Max — France — 1950
- Le plaisir — Ophüls, Max — France — 1951
- Madame de... (The earrings of Madame de...) — Ophüls, Max — France; Italy — 1953
- Lola Montès — Ophüls, Max — France; Germany — 1955
- Record type:
- document
- Document type:
- program note
- Document author(s):
- Kent Jones
- Publication date:
- 1999
- Document source:
- Film Society of Lincoln Center
- Number of pages:
- 7
- Related films:
-
- Die lachende erben (The happy heirs) — Ophüls, Max — Germany — 1931
- Die verliebte firma (The company's in love) — Ophüls, Max — Germany — 1931
- Die verkaufte braut (The bartered bride) — Ophüls, Max — Germany — 1932
- Liebelei (Flirtation) — Ophüls, Max — Germany — 1933
- La signora di tutti — Ophüls, Max — Italy — 1934
- Divine — Ophüls, Max — France — 1935
- La tendre ennemie (The tender enemy) — Ophüls, Max — France — 1936
- Komedie om geld (The trouble with money) — Ophüls, Max — Netherlands — 1936
- Yoshiwara — Ophüls, Max — France — 1937
- Werther — Ophüls, Max — France — 1938
- Sans lendemain — Ophüls, Max — France — 1939
- De Mayerling à Sarajevo — Ophüls, Max — France — 1940
- The exile — Ophüls, Max — United States — 1947
- Letter from an unknown woman — Ophüls, Max — United States — 1948
- The reckless moment — Ophüls, Max — United States — 1949
- Caught — Ophüls, Max — United States — 1949
- La ronde — Ophüls, Max — France — 1950
- Le plaisir — Ophüls, Max — France — 1951
- Madame de... (The earrings of Madame de...) — Ophüls, Max — France; Italy — 1953
- Lola Montès — Ophüls, Max — France; Germany — 1955