1. The ephemeral as transcultural aesthetic: a contextualization of the early films of Ozu Yasujiro Bookmark document titled The ephemeral as transcultural aesthetic: a contextualization of the early films of Ozu Yasujiro. Search result 1 Record type: document Document type: article Document author(s): Isolde Standish Publication date: 2012 Document source: Journal of Japanese & Korean Cinema Number of pages: 12 Related films: Celovek s kinoapparatom (The Man with a movie camera) — Vertov, Dziga — No country known — 1929Tokyo no gassho (Tokyo chorus) — Ozu, Yasujiro — Japan — 1931Umarete wa mita keredo (I was born, but...) — Ozu, Yasujiro — Japan — 1932Tokyo no onna (Woman of Tokyo) — Ozu, Yasujiro — Japan — 1933Hijosen no onna (Dragnet girl) — Ozu, Yasujiro — Japan — 1933Modern times — Chaplin, Charlie — United States — 1936Naniwa erejî (Osaka elegy) — Mizoguchi, Kenji — Japan — 1936Hitori musuko (The only son) — Ozu, Yasujiro — Japan — 1936Banshun (Late spring) — Ozu, Yasujiro — Japan — 1949Bakushu (Early summer) — Ozu, Yasujiro — Japan — 1951Tokyo monogatari (Tokyo story) — Ozu, Yasujiro — Japan — 1953