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202. Saturday's child

203. Season in the sun

204. Seeking a Japanese modernity: Ozu and Nihonga painters in the pre-war era

205. Seijun Suzuki: man on the moon

206. Severed ties

208. Shohei Imamura

209. Slow train coming: who's afraid of Hou Hsiao-hsien?

210. Sono yo no tsuma

211. Sovexport film avoids fuss

212. Space odyssey

214. Susumu Hani

217. Suzuki on Suzuki

218. Tainted love by the dye vat

219. The Festival's tribute to the great Kurosawa

221. The bitterness of audition

222. The bodyguard

223. The book of Wayne Wang's 'Smoke'

225. The constant compromise

227. The ephemeral as transcultural aesthetic: a contextualization of the early films of Ozu Yasujiro

228. The first translations by and about the master of Japanese cinema

229. The go-between

230. The harder way

231. The holy family

232. The medium and its conscience

233. The new face of kabuki

236. The radical who left his will on film

237. The right to refuse: the films of Kinuyo Tanaka

238. The shape of time

239. The wars of Kurosawa

240. The world of Yasujiro Ozu

241. The zen of Ozu's 'bean curd' films

242. This is your life

244. Three-hour 'Mahabharata' film touring the U.S.

247. Tooning in

248. Travels with Bowie

249. Truth and consequences

250. Two guys' labour of love

251. Ugetsu monogatari

253. Visceral vision: east meets west in the genius of Imamura

254. Wang

255. Wang took wistful journey home in 'Chinese Box'

256. Wang's world in a love story

258. When science is the star

259. Where movies reign

260. Wild man: Alain Resnais, 87 years young

261. Zhang Yimou: local hero

263. [Appleseed]