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- Record type:
- document
- Document type:
- interview
- Document author(s):
- Tom Milne, Penelope Houston, and Nicolas Roeg
- Publication date:
- Winter 1973
- Document source:
- Sight and Sound
- Document contains:
- production co
- Number of pages:
- 7
- Related films:
-
- The birds — Hitchcock, Alfred — United States — 1963
- Nothing but the best — Donner, Clive — Great Britain — 1964
- Fahrenheit 451 — Truffaut, François — Great Britain — 1966
- Far from the madding crowd — Schlesinger, John — No country known — 1967
- Performance — Roeg, Nicolas; Cammell, Donald — Great Britain — 1970
- Walkabout — Roeg, Nicolas — Australia — 1971
- The Godfather — Coppola, Francis Ford — United States — 1972
- Don't look now — Roeg, Nicolas — Italy; Great Britain — 1973
- Record type:
- document
- Document type:
- program
- Document author(s):
- Chris Peachment
- Publication date:
- March 1983
- Document source:
- National Film Theatre (London, England)
- Document contains:
- production co
- Number of pages:
- 8
- Related films:
-
- Le silence de la mer (The silence of the sea) — Melville, Jean-Pierre — France — 1947
- The set-up — Wise, Robert — United States — 1949
- Les enfants terribles (The strange ones) — Melville, Jean-Pierre — France — 1949
- Orphée — Cocteau, Jean — France — 1950
- The asphalt jungle — Huston, John — United States — 1950
- Le journal d'un curé de campagne (Diary of a country priest) — Bresson, Robert — France — 1951
- Quand tu liras cette lettre (When you read this letter) — Melville, Jean-Pierre — France — 1953
- Touchez pas au grisbi (Grisbi) — Becker, Jacques — France — 1954
- Du rififi chez les hommes (Rififi) — Dassin, Jules — France — 1955
- Bob le flambeur (Bob the gambler) — Melville, Jean-Pierre — France — 1956
- Deux hommes dans Manhattan (Two men in Manhattan) — Melville, Jean-Pierre — France — 1958
- À bout de souffle (Breathless) — Godard, Jean Luc — France — 1959
- Le trou (The hole) — Becker, Jacques — France; Italy — 1960
- Léon Morin, prêtre (Leon Morin, priest) — Melville, Jean-Pierre — France — 1961
- Le doulos (The finger man) — Melville, Jean-Pierre — France; Italy — 1962
- L'Ainé des ferchaux (The magnet of doom) — Melville, Jean-Pierre — France; Italy — 1963
- Le deuxième souffle (Second breath) — Melville, Jean-Pierre — France — 1965
- Point blank — Boorman, John — No country known — 1967
- Le samouraï (The godson) — Melville, Jean-Pierre — France; Italy — 1967
- L'armee des ombres (Army of shadows) — Melville, Jean-Pierre — France — 1969
- Le chagrin et la pitié (The sorrow and the pity) — Ophüls, Marcel — France; Germany; Switzerland — 1969
- Le cercle rouge (The red circle) — Melville, Jean-Pierre — France — 1970
- Un flic (Dirty money) — Melville, Jean-Pierre — France — 1972
- The Driver — Hill, Walter — No country known — 1978
- La mort en direct (Death watch) — Tavernier, Bertrand — France; Germany — 1979
- Thief — Mann, Michael — No country known — 1981
- Painting chicago — Marle, Judy — No country known — 1982
- An Unsuitable job for a woman — Petit, Chris — No country known — 1982
- Howard Hodgkin in conversation with David Sylvester — Marle, Judy — No country known — 1982
- The filleting machine — Martin, Murray — Great Britain — 1982
- Record type:
- document
- Document type:
- program note
- Document author(s):
- James Quandt
- Publication date:
- 1990 Jun 01
- Document source:
- Art Gallery of Ontario
- Document contains:
- cost info and production co
- Number of pages:
- 6
- Related films:
-
- Accattone — Pasolini, Pier Paolo — Italy — 1961
- Mamma Roma — Pasolini, Pier Paolo — Italy — 1962
- La rabbia (Anger) — Pasolini, Pier Paolo; Guareschi, Giovanni — Italy — 1963
- RoGoPaG — Rossellini, Roberto; Godard, Jean Luc; Gregoretti, Ugo; Pasolini, Pier Paolo — Italy; France — 1963
- Il vangelo secondo Matteo (The gospel according to St. Matthew) — Pasolini, Pier Paolo — Italy; France — 1964
- Sopralluoghi in Palestina per Il vangelo secondo Matteo (Seeking locations in Palestine for the film 'The gospel according to St. Matthew') — Pasolini, Pier Paolo — Italy — 1964
- Uccellacci e uccellini (Hawks and sparrows) — Pasolini, Pier Paolo — Italy — 1966
- Pasolini's rage — No director known — France — 1966
- Pier Paolo and Totò — No director known — Italy — 1966
- Le streghe (The witches) — Bolognini, Mauro; Pasolini, Pier Paolo; Rossi, Franco; De Sica, Vittorio; Visconti, Luchino — France; Italy — 1966
- Capriccio all'Italiana (Italian caprice) — Monicelli, Mario; Bolognini, Mauro; Pasolini, Pier Paolo; Rossi, Franco; Steno,; Zac, Pino — Italy — 1967
- Confessions of a poet — No director known — No country known — 1967
- Culture and society — No director known — No country known — 1967
- Edipo Re (Oedipus Rex) — Pasolini, Pier Paolo — Italy — 1967
- Teorema (Theorem) — Pasolini, Pier Paolo — Italy — 1968
- Ezra Pound — No director known — Italy — 1968
- Appunti per un film sull'India (Notes for a film about India) — Pasolini, Pier Paolo — No country known — 1968
- Set of Sana'a — No director known — No country known — 1968
- Amore e rabbia (Love and anger) — Lizzani, Carlo; Bellocchio, Marco; Bertolucci, Bernardo; Godard, Jean Luc; Pasolini, Pier Paolo — Italy; France — 1969
- Porcile (Pigpen) — Pasolini, Pier Paolo — Italy; France — 1969
- Pasolini directing Maria Callas on the set of Medea — No director known — Great Britain — 1969
- Conversation — No director known — No country known — 1969
- Medea — Pasolini, Pier Paolo — Italy; France; Germany — 1970
- Il Decameron (The Decameron) — Pasolini, Pier Paolo — Italy; France; Germany — 1970
- racconti di Canterbury (The Canterbury tales) — Pasolini, Pier Paolo; Dandolo, Lucio — Italy; France — 1971
- Senatus populusque Romanus — No director known — Germany — 1971
- Class 3-B roll call — No director known — Italy — 1971
- Il fiore delle mille e una notte (Arabian nights) — Pasolini, Pier Paolo — Italy; France — 1974
- Le mura di Sana (The walls of Sana'a) — Pasolini, Pier Paolo — Italy — 1974
- The face of a city — No director known — No country known — 1974
- In the heart of reality — No director known — No country known — 1974
- The unreleased sequences — Pasolini, Pier Paolo — No country known — 1974
- Salò o le 120 giornate di Sodoma (Salo, or the 120 days of Sodom) — Pasolini, Pier Paolo — Italy; France — 1975
- The last interview — No director known — No country known — 1975
- Appunti per un Orestiade Africana (Notes for an African Oresteia) — Pasolini, Pier Paolo — Italy — 1976
- Comizi d'amore (Assembly of love) — Pasolini, Pier Paolo — Italy — 1994