- Record type:
- document
- Document type:
- program
- Publication date:
- 1966
- Document source:
- Dartmouth Film Society
- Document contains:
- production co
- Number of pages:
- 16
- Related films:
-
- Die Nibelungen — Lang, Fritz — Germany — 1924
- International house — Sutherland, A. Edward — No country known — 1933
- Duck soup — McCarey, Leo — No country known — 1933
- Olympia — Riefenstahl, Leni — Germany — 1938
- Rebecca — Hitchcock, Alfred — United States — 1940
- Foreign correspondent — Hitchcock, Alfred — United States — 1940
- Suspicion — Hitchcock, Alfred — United States — 1941
- Mr. and Mrs. Smith — Hitchcock, Alfred — United States — 1941
- Saboteur — Hitchcock, Alfred — United States — 1942
- Shadow of a doubt — Hitchcock, Alfred — United States — 1943
- Lifeboat — Hitchcock, Alfred — United States — 1944
- Spellbound — Hitchcock, Alfred — United States — 1945
- Notorious — Hitchcock, Alfred — United States — 1946
- The Paradine case — Hitchcock, Alfred — United States — 1947
- Stage fright — Hitchcock, Alfred — England — 1950
- Strangers on a train — Hitchcock, Alfred — United States — 1951
- Le mépris (Contempt) — Godard, Jean Luc — France; Italy — 1963
Number of results to display per page
Search Results
- Record type:
- document
- Document type:
- review
- Publication date:
- 1969
- Number of pages:
- 2
- Related films:
-
- Der müde tod (Destiny) — Lang, Fritz — Germany — 1921
- Die Nibelungen — Lang, Fritz — Germany — 1924
- Frau im mond (Woman in the moon) — Lang, Fritz — Germany — 1929
- Das testament des Dr. Mabuse (The testament of Dr. Mabuse) — Lang, Fritz — Germany — 1933
- Liliom — Lang, Fritz — France — 1934
- Fury — Lang, Fritz — United States — 1936
- Man hunt — Lang, Fritz — United States — 1941
- Western Union — Lang, Fritz — United States — 1941
- Ministry of fear — Lang, Fritz — United States — 1944
- The woman in the window — Lang, Fritz — United States — 1945
- Rancho Notorious — Lang, Fritz — United States — 1952
- Clash by night — Lang, Fritz — United States — 1952
- The big heat — Lang, Fritz — United States — 1953
- Human desire — Lang, Fritz — United States — 1954
- Moonfleet — Lang, Fritz — United States — 1955
- Beyond a reasonable doubt — Lang, Fritz — United States — 1956
- Die tausend augen des Dr. Mabuse (The thousand eyes of Dr. Mabuse) — Lang, Fritz — Germany; France; Italy — 1960
- Record type:
- document
- Document type:
- program
- Publication date:
- 5/1/1963
- Document source:
- Berkeley Cinema Guild
- Document contains:
- production co
- Number of pages:
- 4
- Related films:
-
- Metropolis — Lang, Fritz — Germany — 1926
- Lifeboat — Hitchcock, Alfred — United States — 1944
- Henry v — Olivier, Laurence — No country known — 1944
- Tirez sur le pianiste (Shoot the piano player) — Truffaut, François — France — 1960
- Jules et Jim — Truffaut, François — France — 1962
- Record type:
- document
- Document type:
- program
- Publication date:
- 9/1/1957
- Document source:
- Berkeley Cinema Guild
- Document contains:
- production co
- Number of pages:
- 5
- Related films:
-
- Kameradschaft (Comradeship) — Pabst, Georg Wilhelm — Germany — 1931
- Don Quichotte (Don Quixote) — Pabst, Georg Wilhelm — France — 1933
- Henry v — Olivier, Laurence — No country known — 1944
- The Big sleep — Hawks, Howard — No country known — 1946
- Le Salaire de la peur (The Wages of fear) — Clouzot, Henri-Georges — France — 1953
- The big knife — Aldrich, Robert — United States — 1955
- Record type:
- document
- Document type:
- program
- Document author(s):
- David Thomson
- Publication date:
- September 2000
- Document source:
- National Film Theatre (London, England)
- Document contains:
- production co
- Number of pages:
- 8
- Related films:
-
- Die lachende erben (The happy heirs) — Ophüls, Max — Germany — 1931
- Die verliebte firma (The company's in love) — Ophüls, Max — Germany — 1931
- Die verkaufte braut (The bartered bride) — Ophüls, Max — Germany — 1932
- Liebelei (Flirtation) — Ophüls, Max — Germany — 1933
- La signora di tutti — Ophüls, Max — Italy — 1934
- Divine — Ophüls, Max — France — 1935
- La tendre ennemie (The tender enemy) — Ophüls, Max — France — 1936
- Komedie om geld (The trouble with money) — Ophüls, Max — Netherlands — 1936
- La valse brillante — Ophüls, Max — France — 1936
- Ave maria — Ophüls, Max — France — 1936
- Yoshiwara — Ophüls, Max — France — 1937
- Le roman de Werther (The novel of Werther) — Ophüls, Max — France — 1938
- Sans lendemain — Ophüls, Max — France — 1939
- De Mayerling à Sarajevo — Ophüls, Max — France — 1940
- Phantom lady — Siodmak, Robert — United States — 1944
- The exile — Ophüls, Max — United States — 1947
- Letter from an unknown woman — Ophüls, Max — United States — 1948
- The reckless moment — Ophüls, Max — United States — 1949
- Caught — Ophüls, Max — United States — 1949
- La ronde — Ophüls, Max — France — 1950
- Le plaisir — Ophüls, Max — France — 1951
- Madame de... (The earrings of Madame de...) — Ophüls, Max — France; Italy — 1953
- Lola Montès — Ophüls, Max — France; Germany — 1955
6. Douglas Sirk
- Record type:
- document
- Document type:
- program note
- Document author(s):
- Jon Halliday
- Publication date:
- 1972 Aug 28
- Document source:
- National Film Theatre (London, England)
- Document contains:
- production co
- Number of pages:
- 8
- Related films:
-
- Stützen der gesellschaft (Pillars of society) — Sirk, Douglas — Germany — 1935
- Schlussakkord (Final accord) — Sierck, Detlef; Sirk, Douglas — Germany — 1936
- Zu neuen ufern (To new shores) — Sierck, Detlef; Sirk, Douglas — Germany — 1937
- La Habanera — Sierck, Detlef; Sirk, Douglas — Germany — 1937
- Summer storm — Sirk, Douglas — United States — 1944
- A scandal in Paris — Sirk, Douglas — United States — 1945
- Lured — Sirk, Douglas — United States — 1947
- The first legion — Sirk, Douglas — United States — 1950
- Thunder on the hill — Sirk, Douglas — United States — 1951
- Has anybody seen my gal? — Sirk, Douglas — United States — 1951
- Take me to town — Sirk, Douglas — United States — 1952
- Taza, son of Cochise — Sirk, Douglas — United States — 1953
- All I desire — Sirk, Douglas — United States — 1953
- Magnificent obsession — Sirk, Douglas — United States — 1954
- Sign of the pagan — Sirk, Douglas — United States — 1954
- Captain Lightfoot — Sirk, Douglas — United States — 1954
- There's always tomorrow — Sirk, Douglas — United States — 1955
- All that heaven allows — Sirk, Douglas — United States — 1955
- Written on the wind — Sirk, Douglas — United States — 1956
- Interlude — Sirk, Douglas — United States — 1956
- Tarnished angels — Sirk, Douglas — United States — 1957
- A time to love and a time to die — Sirk, Douglas — United States — 1958
- Imitation of life — Sirk, Douglas — United States — 1959
- Record type:
- document
- Document type:
- article
- Document author(s):
- Alfred Appel Jr.
- Publication date:
- 1974 Nov
- Document source:
- Film Comment
- Document contains:
- production co
- Number of pages:
- 6
- Related films:
-
- Das cabinet des Dr. Caligari (The cabinet of Dr. Caligari) — Wiene, Robert — Germany — 1920
- M — Lang, Fritz — Germany — 1931
- Fury — Lang, Fritz — United States — 1936
- Double indemnity — Wilder, Billy — No country known — 1944
- The woman in the window — Lang, Fritz — United States — 1945
- Brute force — Dassin, Jules — No country known — 1947
- An American guerrilla in the Philippines — Lang, Fritz — United States — 1950
- The big heat — Lang, Fritz — United States — 1953
- Chinatown — Polanski, Roman — United States — 1974
8. G.W. Pabst
- Record type:
- document
- Document type:
- article
- Document author(s):
- Ludwig Gesek
- Publication date:
- 1955
- Document source:
- Filmkunst - Zeitschrift für Filmkultur und Filmwissenschaft
- Document contains:
- bibliography, box info, cost info, filmography, and production co
- Number of pages:
- 14
- Related films:
-
- Im banne der kralle — Froelich, Carl — Austria — 1921
- Der taugenichts (The good for nothings) — Froelich, Carl — Germany — 1922
- Luise Millerin — Froelich, Carl — Germany — 1922
- Der schatz (The treasure) — Pabst, Georg Wilhelm — Germany — 1923
- Gräfin Donelli (Countess Donelli) — Pabst, Georg Wilhelm — Germany — 1924
- Die freudlose gasse (The joyless street) — Pabst, Georg Wilhelm — Germany — 1925
- Man spielt nicht mit der liebe (Don't play with love) — Pabst, Georg Wilhelm — Germany — 1926
- Geheimnisse einer seele (Secrets of a soul) — Pabst, Georg Wilhelm — Germany — 1926
- Die liebe der Jeanne Ney (The love of Jeanne Ney) — Pabst, Georg Wilhelm — Germany — 1927
- Abwege (Crisis) — Pabst, Georg Wilhelm — Germany — 1928
- Die büchse der Pandora (Pandora's box) — Pabst, Georg Wilhelm — Germany — 1929
- Das tagebuch einer verlorenen (Diary of a lost girl) — Pabst, Georg Wilhelm — Germany — 1929
- Die weisse hölle vom Piz Palu (The white hell of Pitz Palu) — Fanck, Arnold; Pabst, Georg Wilhelm — Germany — 1929
- Westfront 1918 — Pabst, Georg Wilhelm — Germany — 1930
- Skandal um Eva (Scandalous Eva) — Pabst, Georg Wilhelm — Germany — 1930
- Kameradschaft (Comradeship) — Pabst, Georg Wilhelm — Germany — 1931
- Die dreigroschenoper (The threepenny opera) — Pabst, Georg Wilhelm — Germany — 1931
- L'Atlantide (The mistress of Atlantis) — Pabst, Georg Wilhelm — France — 1932
- Don Quichotte (Don Quixote) — Pabst, Georg Wilhelm — France — 1933
- Du haut en bas (High and low) — Pabst, Georg Wilhelm — France — 1933
- A modern hero — Pabst, Georg Wilhelm — United States — 1934
- Mademoiselle Docteur — Pabst, Georg Wilhelm — France — 1936
- Le drame de Shanghai (Shanghai drama) — Pabst, Georg Wilhelm — France — 1938
- Jeunes filles en détresse — Pabst, Georg Wilhelm — France — 1939
- Komödianten — Pabst, Georg Wilhelm — Germany — 1941
- Paracelsus — Pabst, Georg Wilhelm — Germany — 1943
- Der fall Molander — Pabst, Georg Wilhelm — Germany — 1944
- Der prozess (The trial) — Pabst, Georg Wilhelm — Austria — 1947
- Geheimnisvolle tiefe (Mysterious shadows) — Pabst, Georg Wilhelm — Austria — 1949
- La conciencia acusa (The voice of silence) — Pabst, Georg Wilhelm — Italy; France — 1952
- Cose da pazzi — Pabst, Georg Wilhelm — Italy — 1953
- Das bekenntnis der Ina Kahr (The confession of Ina Kahr) — Pabst, Georg Wilhelm — Germany — 1954
- Der letzte akt (The last ten days) — Pabst, Georg Wilhelm — Germany; Austria — 1955
- Es geschah am 20. Juli (Jackboot mutiny) — Pabst, Georg Wilhelm — Germany — 1955
- Rosen für Bettina (Ballerina) — Pabst, Georg Wilhelm — Germany — 1956
- Record type:
- document
- Document type:
- program note
- Document author(s):
- Ulrike Rainer
- Publication date:
- 1988 Sep 24
- Document source:
- Hopkins Center of Dartmouth College
- Document contains:
- bibliography, box info, and production co
- Number of pages:
- 23
- Related films:
-
- Hets (Torment) — Sjöberg, Alf — Sweden — 1944
- Hamnstad (Port of call) — Bergman, Ingmar — Sweden — 1948
- Törst (Three strange loves) — Bergman, Ingmar — Sweden — 1949
- Sommarlek (Summer interlude) — Bergman, Ingmar — Sweden — 1951
- Kvinnors väntan (Secrets of women) — Bergman, Ingmar — Sweden — 1952
- Sommaren med Monika (Summer with Monika) — Bergman, Ingmar — Sweden — 1953
- Gycklarnas afton (Sawdust and tinsel) — Bergman, Ingmar — Sweden — 1953
- En lektion i kärlek (A lesson in love) — Bergman, Ingmar — Sweden — 1954
- Kvinnodröm (Dreams) — Bergman, Ingmar — Sweden — 1955
- Sommarnattens leende (Smiles of a summer night) — Bergman, Ingmar — Sweden — 1955
- Det sjunde inseglet (The seventh seal) — Bergman, Ingmar — Sweden — 1957
- Smultronstället (Wild strawberries) — Bergman, Ingmar — Sweden — 1957
- Ansiktet (The magician) — Bergman, Ingmar — Sweden — 1958
- Nära livet (Brink of life) — Bergman, Ingmar — Sweden — 1958
- Jungfrukällan (The virgin spring) — Bergman, Ingmar — Sweden — 1960
- Djävulens öga (The devil's eye) — Bergman, Ingmar — Sweden — 1960
- Såsom i en spegel (Through a glass, darkly) — Bergman, Ingmar — Sweden — 1961
- Nattvardsgästerna (Winter light) — Bergman, Ingmar — Sweden — 1962
- Tystnaden (The silence) — Bergman, Ingmar — Sweden — 1963
- För att inte tala om alla dessa kvinnor (All these women) — Bergman, Ingmar — Sweden — 1964
- Persona — Bergman, Ingmar — Sweden — 1966
- Skammen (Shame) — Bergman, Ingmar — Sweden — 1968
- Vargtimmen (Hour of the wolf) — Bergman, Ingmar — Sweden — 1968
- Riten (The rite) — Bergman, Ingmar — Sweden — 1969
- En passion (The passion of Anna) — Bergman, Ingmar — Sweden — 1969
- Beröringen (The touch) — Bergman, Ingmar — Sweden — 1971
- Viskningar och rop (Cries and whispers) — Bergman, Ingmar — Sweden — 1972
- Ingmar Bergman — Björkman, Stig — Sweden — 1973
- Scener ur ett äktenskap (Scenes from a marriage) — Bergman, Ingmar — Sweden — 1974
- Trollflöjten (The magic flute) — Bergman, Ingmar — Sweden — 1975
- Ansikte mot ansikte (Face to face) — Bergman, Ingmar — Sweden — 1976
- The serpent's egg — Bergman, Ingmar — Germany; United States — 1977
- Höstsonaten (Autumn sonata) — Bergman, Ingmar — Germany; Norway; Sweden — 1978
- Aus dem leben der marionetten (From the life of the marionettes) — Bergman, Ingmar — Sweden; Germany — 1980
- Fanny och Alexander (Fanny and Alexander) — Bergman, Ingmar — Sweden; France; Germany — 1982
- Efter repetitionen (After the rehearsal) — Bergman, Ingmar — Sweden — 1984
- Record type:
- document
- Document type:
- article
- Document author(s):
- Jean-Claude Biette
- Document contains:
- production co
- Number of pages:
- 8
- Related films:
-
- Das mädchen vom moorhof (The girl from the marsh croft) — Sirk, Douglas — Germany — 1935
- Schlussakkord (Final accord) — Sierck, Detlef; Sirk, Douglas — Germany — 1936
- Das Hofkonzert — Sierck, Detlef; Sirk, Douglas — Germany — 1936
- Hitler's madman — Sirk, Douglas — United States — 1943
- Summer storm — Sirk, Douglas — United States — 1944
- A scandal in Paris — Sirk, Douglas — United States — 1945
- Lured — Sirk, Douglas — United States — 1947
- No room for the groom — Sirk, Douglas — United States — 1952
- All I desire — Sirk, Douglas — United States — 1953
- All that heaven allows — Sirk, Douglas — United States — 1955