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- Record type:
- document
- Document type:
- article
- Document author(s):
- Penelope Gilliatt
- Publication date:
- 1970 May 02
- Document source:
- New Yorker, The
- Number of pages:
- 1
- Related films:
-
- Record type:
- document
- Document type:
- article
- Document author(s):
- Penelope Gilliatt
- Document source:
- New Yorker, The
- Number of pages:
- 2
- Related films:
-
- Record type:
- document
- Document type:
- article
- Document author(s):
- Penelope Gilliatt
- Document source:
- New Yorker, The
- Number of pages:
- 2
- Related films:
-
- Record type:
- document
- Document type:
- article
- Document author(s):
- Penelope Gilliatt
- Publication date:
- 1976 Oct 25
- Document source:
- New Yorker, The
- Document contains:
- production co
- Number of pages:
- 8
- Related films:
-
- Tous les garcons s'appellent Patrick (All the boys are called Patrick) — Godard, Jean Luc — France — 1957
- À bout de souffle (Breathless) — Godard, Jean Luc — France — 1959
- Le petit soldat (The little soldier) — Godard, Jean Luc — France — 1960
- Une femme est une femme (A woman is a woman) — Godard, Jean Luc — France — 1961
- Vivre sa vie (My life to live) — Godard, Jean Luc — France — 1962
- Le mépris (Contempt) — Godard, Jean Luc — France; Italy — 1963
- Pierrot le fou — Godard, Jean Luc — France; Italy — 1965
- Made in U.S.A. — Godard, Jean Luc — France — 1966
- Deux ou trois choses que je sais d'elle (Two or three things I know about her) — Godard, Jean Luc — France — 1967
- La chinoise (The chinese girl) — Godard, Jean Luc — France — 1967
- One plus one — Godard, Jean Luc — England — 1968
- Weekend (Week-end) — Godard, Jean Luc — France; Italy — 1968